|
|
COOPERSTOWN AND AROUND
|
Thursday, January 28, 2010
|

Leak Requires CAA To Move Quilts UpstairsCOOPERSTOWNBeginning with the Fenimore Quilt Club show, which opens 11 a.m. Saturday, Feb. 6, extensive damage from a steam leak is requiring all Cooperstown Art Association exhibits to be held until further notice on the second floor of 22 Main. “We are taking this unfortunate circumstance as an opportunity to re-assess the use of our space, to make it better and more professional as we go forward,” said Janet Erway, CAA executive director. CAPITALISM LIVES! 48 middle school student-entrepreneurs will demonstrate products they developed through the new “TREP$” program at a marketplace planned 10 a.m.-noon Saturday, Feb. 6, in the CCS cafeteria. The public is welcome.
FRICK WINNER:
The National Baseball Hall of Fame has announced that Jon Miller, the voice of ESPN’s national Sunday Night Baseball telecasts for 20 years, is 2010 recipient of the Ford C. Frick Award.
BIRD COUNT: The National Audubon Society’s 13th annual Great Backyard Bird Count is Friday-Sunday, Feb. 12-15. To participate locally, contact the Delaware-Otsego chapter’s John Davis at davi7js4@hughes.net or 547-9688.
NEXT BROWN? Time magazine has listed Republican Richard Hanna of Cooperstown and Barnevelt, who is running again against U.S. Rep. Mike Arcuri, D-24, as one of its 10 best prospects for pulling another “Scott Brown,” the upset in Massachusetts’ U.S. Senate race.
Labels: 02-04-10, Front Page, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
Friday, January 22, 2010
|

TO ACADEMY: Christopher Michaels, a CCS senior from Mount Vision, has been offered an appointment at the Merchant Marine Academy in Kings Point, U.S. Rep. Mike Arcuri, D-24, has announced.
CONGRESS RACE: Republican Richard Hanna of Cooperstown and Barnevelt, who was narrowly defeated in his 2008 race against incumbent U.S. Rep. Mike Arcuri, D-24, has announced he plans to run again this year. The election is in November.
ROTH JAMS: Arlen Roth, world-renown guitarist and investor in the prospective Guitar Hall of Fame, jammed for 90 minutes Saturday, Jan. 23, at the Hoffman Lane Bistro. He was in town as a judge of the first annual Choir Challenge at The Otesaga.
PUBLIC INPUT: The Coopertown Central school board’s Public Relations Committee has scheduled a second “You Have Our Ear” session at the end of its Wednesday, Feb. 3, meeting at the middle/high school cafeteria. The topic is “Possibilities for District Collaboration: Maximizing Services While Saving Money.” BOCES Superintendent Nick Savin will attend.
Labels: 01-28-10, Front Page, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Proprietors Plan Pub, ‘Biergarten’ At Garrattsville
|
|
By JIM KEVLIN
GARRATTSVILLE You can imagine the Williamsons and their friends, having a beer or two – a Pork Slap or a Moo Thunder, maybe – and brainstorming. The product of these rap sessions – doggerel, slogans, plus a profound thought or two – are Magic-Markered on a cider-block wall in the Butternuts Beer & Ale brewery, a barn where Norman S. Walker’s family milked Holsteins for 100 years. “He’s not a bad skate; he just skates bad.” “From field to face.” And – eureka! – “Heinnieweisse? Like Miami Vice?” The name doesn’t appear to be a literal translation of anything. (Chuck Williamson will tell you it means beer made from wheat.) But the cheerful serendipity that surrounds everything about the Butternuts Beer & Ale – just check out www.butternutsbeerandale.com – suggests Chuck and Ann and their friends were just having a little fun with you, me and anyone else who might stumble across their brands by happenstance. Happenstance is the right word around here – for the time being – because although the Williamsons are entering their fifth year of brewing in Otsego County, there are few places locally – Spurbeck’s in Cooperstown; Hometown Deli in Oneonta among them – that retail the product. Mostly, the brewery had been providing Pork Slap (a pale ale, the best seller), Moo Thunder stout, Snapperhead IPA and Heinieweisse to wholesalers that are distributing it in a half-dozen states from Massachusetts to Georgia. (Next, Florida.) In the next few months, that will change, as the Williamsons are developing a pub at the Route 51 brewery and putting the personnel in place to guide regular tours. (There’s plenty of room out back, too, that will eventually accommodate a biergarten.) Appropriately, the venture had its roots in serendipity. In the early ‘90s, while a junior at Franklin Lewis High School in Flushing, Chuck interned at the Queens Museum in the shadow of the 1964 World Fair’s Unisphere, and got a couple of pals together to help the museum director move to Staten Island. Among her boxes of books was a first edition of Charlie Papazian’s “Joy of Homebrewing,” and Chuck got it as a thank-you gift: “It never even dawned on me that you could make beer. It was just this amazing concept.” At the time, micro-breweries and homebrewing were still in the “fledgling” stage on the East Coast – the California industry was going strong – but Chuck found Mark Burford, who was pioneering New York Homebrew in Franklin Square, and was able to buy some equipment. The then-17-year-old bought home-brewing supplies and was soon busy in his parents’ kitchen – his teacher dad and nurse mom looked the other way, to his delight – experimenting with various concoctions. When Chuck graduated from high school, he apprenticed with an A-C firm, but he continued brewing Wednesday nights (all night long), and the fresh beer had to be imbibed that weekend, or it would spoil. (So life was tough for Chuck and his buddies.) When Burford went on to co-found the Long Island Brewery in Jericho, one of the region’s first breweries and brew pubs, Chuck joined him as his first apprentice. By 9-11, he and a partner, Leo Bongiorno, were warehousing malt (and trading in malt commodities) and consulting for Park Slope Brewing Co., a brew pub on the tip of Red Hook – within sight of the Twin Towers. The partners had been considering a “barn project” – “a mainstay in Europe” and, less so, the Midwest – and the events of that day fast-tracked their aspirations. They found real-estate even as far as Delaware County too expensive – they wanted 100 acres for sustainable farming, in addition to a brewery – and found themselves in Garrattsville, talking to dairyman Tim Miller, who had bought the old Walter farm a few years before but no longer needed it. They signed a contract on Sept. 12, 2002, and closed the deal on April 1, 2002. By then, Chuck had married Ann Smith, whose parents had moved to Queens from Ireland. “It’s a good thing she likes beer,” the husband said. The two moved into the old farmhouse, and Ann worked in the kitchen at The Otesaga for a couple of years as brewery ramped up. The partners got some financing from the county IDA, the OCDO and Wilber Bank; since they’d been running a business, they had cash flow, contacts and products – they’d already contracted with New York’s Typhoon Brewery for “batch brewing.” The 15-barrel Downtown Brewery in Wilmington, Del., was going out of business in Delaware, and they got a deal on the tanks and other equipment. It takes four hours to package a batch, and 15 barrels translates into 200 cases of beer, so Butternuts can turned out 9,600 cans of beer a day. Last year, the brewery produced 2,700 barrels. (36,000 cases, or 86,400 Unlike most micro-breweries, this one uses cans, not bottles. For one thing, a small canning line had come on the market. Plus, Chuck thought cans would provide “a way to stand out and be different.” And, beside, light-tight cans prevent the product’s degradation. “Cans are less expensive and lighter, so you can get more on a pallet,” he siad. A New England Motor Freight truck shows up weekly to carry the week’s production to 15 wholesalers. Chuck and Lou Bongiorno, who has since left to take on another brewing project in Pennsylvania, purposely devised a “flavor profile” – from dark to light – designed to fit a range of tastes. “Someone can like one beer,” said the brewer, “and not like the other beers.”Labels: 01-22-10, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Ommegang Introducing Many Brews This Year, Starting Now
|
|
COOPERSTOWN
Brewery Ommegang is launching a 2010 Innovation Program with six beers – four completely new – beginning this month with the Ommegang Chocolate Indulgence Stout, slightly adjusted from last year. Ommegang is also launching an “Exclusive Beer Initiative,” experimental, small-batch beers that will only be available at the brewery. The first, “Porter Sorter,” may be tasted now. Finally, Ommegang is aging several of our high-gravity beers in oak bourbon barrels, for further experiments and tasting, the brewery announced. The new beers being rolled out every other month this year are BPA, a Belgian-style pale ale, (March); Tripel, spiced, (May); Sour Ale, Oud Bruin style (aged for a year), in collaboration with Liefman’s of Belgium (July), and Scotch Ale, “a Belgo Scotch mash up” (September). Only the BPA’s name has been confirmed so far. In November, the Adoration will be re-issued, “still malty and spicy. But may be tweaked a bit,” according to the announcement. “The idea is simple,” said marketing director Larry Bennett. “Imagine interesting new beers. Give Ommegang brewers opportunities to work their chops. And keep the public and beer world engaged in what Ommegang is up to.” The line’s expansion is being made possible by expanded tank capacity and new warehouse, which is being roofed-in now, Bennett said. Labels: 01-22-10, Glimmerglass, Ommegang |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
|
HELP HAITI: St. Mary’s “Our Lady of the Lake Roman Catholic Church” will hold a special collection the next two Sundays to benefit Haitian earthquake victims. The first collection, Jan. 17, raised $4,100, according to the Rev. John P. Rosson.
STUBBORN COSTS: Bassett President/CEO Bill Streck told Cooperstown Rotary Tuesday, Jan. 19, he supports passage of the pending health-insurance reform bill, but doesn’t expect it to lower costs.
‘KEEP GOING’: Gretchen Sorin, Cooperstown Graduate Program director, will preview her Ph.D. thesis, “African Amercians on the Road in the Era of Jim Crow,” at 7:30 p.m. Thursday, Jan. 28, at the Village Library of Cooperstown.
ON COUNCIL: Bill Freeland, organic grain and beef farmer, was appointed to the Springfield Town Board Monday, Jan. 18, replacing Bill Elsey, elected supervisor in November.
DRILLING FOE: Mayor Calvin Tillman of Dish, Texas, who has been challenging hydro-fracking in the Barnett Shale Formation, will speaking about gas-drilling challenges 10 a.m.-noon Tuesday, Feb. 16, in the Board of Representatives meeting room in the county building.
ALBANY RALLY: A bus is leaving from Oneonta Monday, Jan. 25, for the 10:30 a.m. “Stop Toxic Gas Drilling Rally” at the state Capitol. Register at www.actionotsego.org.
Labels: 01-22-10, Front Page, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Whether Working For Others Or Himself, Baldo Demonstrated Same Determination
|
Friday, January 8, 2010
|
Baldo: Entrepreneurs Need Passion
To Overcome Vicissitudes of Business
By JIM KEVLINBefore Jim Baldo was an entrepreneur, he was an “intrapreneur.” Even though he worked for other people – he rose to vice president, sales, for Raleigh bicycles’ U.S. operations, then for Zippo – he always demonstrated the qualities that held him in good stead when he partnered with his nephew, Jim Johnson (now the county rep from Fly Creek), in developing the Banjo Radio Group. “Intrapreneurs are free spirits,” Baldo said the other day, seated at a table next to the mural of a hacienda in one of his latest ventures, The Fiesta Mexican restaurant in Oneonta’s Clinton Plaza. “They create jobs,” he continued. “They create wealth. They treat other people’s businesses as if it were theirs.” Even when he worked for his dad at Pat’s Cycling, starting at age 11, he wanted to be a salesman and, after graduating from SUNY Oneonta with a general studies degree in 1971, he took an inside sales job with Raleigh in Boston. Those six months working the phones, he’ll tell you, is the only time in his life a job was actually work. At year’s end, however, he was sprung: His boss, Bill Quigley, called him in, handed him a salesman’s satchel and told him, “Get it filled with what you’ll need.” His territory: New England, outside Boston’s Route 128 belt, 42 clients in all. Each day, he’d drive out to the farthest point on a route, then work his way back to headquarters. He’d repeat the cycle every three weeks. In between, he’d seek out new business. Quigley told him, “This isn’t a 9-to-5 job. If you treat it as such, you’ll fail.” Baldo was undeterred. To him, his new responsibilities meant “freedom.” In a couple of years, he’d built his client list to 60, and was given all of New York State outside the city. He located himself in Syracuse, using I-81 north and south and the Thruway east and west to good effect. Soon, he was sales manager for the East Coast, based in Secaucus, N.J., then the West Coast. Julie Rosenthal, who mentored him in Boston, was a salesman all his life, but Baldo wanted more: “I liked the challenge of managing people, of making things grow, making things happen.” In the early ‘80s, AT&T was pushing 800 numbers, and Baldo and two other sales managers proposed developing an inside sales staff that would call customers between the three-week cycle, serving the account and offering “in-pocket specials” that were only available over the phone. The proposal called for a dozen hires in California, a dozen in New Jersey and a half-dozen in the Midwest, so it was an expensive commitment. “G-D it,” his old boss Quigley told his protege when he heard about it, “I hope it will work.” It did, and when Raleigh was sold to Huffy, Baldo was moved to Dayton, Ohio, as vice president for sales. Dissatisfied with the new company’s way of doing things, the 17-year veteran looked around for another opportunity, and soon found himself in Bradford, Pa., home of the Zippo Manufacturing Co., the cigarette-lighter maker. It was 1988, and Jim found the company was still operating as it had in the 1950s. (Hold that thought.) Zippo was in 120 countries (there are only 195 in all), and used to summon its sales reps to London annually to strategize on the coming year. Instead, Baldo went out to the sales reps, getting a sense of the individual markets. He stood on the Great Wall of China, sailed on a Chinese junk in Hong Kong harbor and took the elevator to the top of the Eiffel Tower. One coup came in 1992, Zippo’s 60th birthday. Collectors had discovered the lighters were date stamped – a World War II lighter, for instance, would bring $5,000 – and Baldo capitalized on that. The anniversary promotion was huge. RJR/Nabisco alone ordered 3 million units. When Baldo joined the company, Zippo had just topped $60 million in sales; a decade later, it was grossing $168 million. Then, “I turned 50.” His first marriage had dissolved; he remarried, and he and wife Jacki were looking for a change. (He has two children, Josh, of West Oneonta, and Jessica; she has two children, Steva, a recent SUNY Albany grad, and middle-schooler Jordan, who helps out in the restaurant.) About that time, 1998, Baldo got a call from his nephew Jim Johnson – his mom, Marge Johnson of Oneonta, is Baldo’s sister – who had spun off his apprenticeship in magazine ad sales at Cooperstown’s Curpier Co. into his own ad agency. “Uncle Jim,” said Johnson, a radio aficionado from his high-school days, “let’s buy a radio station.” Said Baldo, “Jim sent me the information. He sent me the numbers. And it just made sense.” Again, WKXZ, a 50,000-watt station – one AM, two FM channels – was being operated as if it were the 1950s. The nephew handled operations, automating and streamlining; the uncle handled sales. Soon, the pair added Oneonta’s WZOZ, then four more stations in Delaware County. Their broadcast footprint expanded into 11 counties, enough to attract national-brand advertisers. Four years later, the partners sold the operation at the top of the market to The Pilot Group, a national broadcasting chain. Since, Baldo’s entrepreneurial tendencies have been in full flower. As he and Jacki built a house in Oneonta, they hit it off with their contractor, Rick Guerrero, and soon were partners in a 50-lot housing development on Winney Hill Road; 35 homes have been built there. The Baldos also bought Clinton Plaza, the commercial shopping center at the west end of Oneonta’s Main Street that had limped along since Urban Renewal of the 1960s, and soon had achieved 100 percent occupancy in the 23 storefronts. They actively recruited tenants. McLaughlin Shoes, brought in from Norwich, recently moved to smaller quarters, but Baldo reported he’d just closed a deal with an alternative-healing concern to fill that space. In 2008, again with Guerrero, who had a background in restaurants, Baldo partnered in the venerable Italian Kitchen, which the Avenzato family had turned into a local institution over 35 years. That same year, he helped his son partner with Elena’s pastries, which moved to Clinton Plaza. And he opened Oneonta’s sole Mexican restaurant. “Oneonta has been very, very good to me and my family,” he said, eyes flashing, with the kind of force you would expect from an entrepreneur. There are different strategies to sales, but Jim Baldo comes down on the side of “relationships. We’re ingrained all our lives to say ‘no’ to salespeople.” Relationships overcome that. And he brings that spirit to the Fiesta: “People who come in here are my friends.” It was a Saturday afternoon, and he named a few couples – regular customers – who he expected to come to dinner that evening. As for the future, “everything I own is for sale – for the right price.” Perhaps, but you can be pretty sure, whatever the future holds, the former “intrapreneur” will be doing something. Development DirectorBolsters NYSHA EffortCOOPERSTOWN Mary Ellen W. Hern has joined the New York State Historical Association as director of development from the Norman Rockwell Museum in Stockbridge, Mass., where she was chief development officer of Sharing Rockwell’s Legacy, a major gifts initiatve that raised $20 million. She brings more than 25 years of experience in fundraising and museum management to The Fenimore and The Farmers’ Museum. Over the years, she was associated with the Shaker Museum & Library, Old Chatham; the Historic House Trust of New York City, and the Staten Island Museum. She was co-curator of “Art of the Olmsted Landscape” in 1980-82 at The Met. She has also served as a consultant to various museums. TOP 400 GATHER: Erna Morgan McReynolds, managing director/wealth management, Morgan Stanley Smith Barney, Oneonta, attended the invitation-only fourth annual Barron’s magazine Winner’s Circle Top Women Advisers Summit Dec. 2-4 at The Breakers, Palm Beach, Fla.
SPORTS BIZ: The New York Stallions, Otsego County’s semi-pro football team, is negotiating with Hartwick College to use one of its stadiums for home games next summer. Its first season, games were held at Fortin Park, Emmons.
WATCH FOR US: All-OTSEGO.business will appear in the second edition of each month. Send news to laurac@hometownoneonta.biz
Labels: 01-15-10, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
|
 The Freeman’s Journal & Richfield Springs NEWSPAPER Frank and Ann Capozza of Cooperstown Event Rentals were among the 40 vendors at the second annual Foothills’ Bridal Expo, the first of the year, Sunday, Jan. 10. Ninety brides attended. High Demand Clears Shelves At Food BankCOOPERSTOWNDespite record levels of donations, the Cooperstown Food Bank was reported running out of supplies at midweek. Non-perishable foods may be dropped off at the food bank in the First Presbyterian Church basement, 25 Church St. Hours of operation are 10 a.m.-noon and 2-4 p.m. weekdays. ARCURI TO VISIT: U.S. Rep. Mike Arcuri, D-24, will meet with gas-drilling opponents at 11 a.m. Friday, Jan. 15, at The Otesaga. Otsego 2000 hosts.
BREWERY FUNDED: Brewery Ommegang has been awarded $250,000 in Upstate Regional Blueprint Funding for its 8,000-square-foot expansion, state Sen. Jim Seward, R-Milford, announced. The project will retain 35 jobs and add five.
THROW A POT: The Smithy-Pioneer Gallery’s pottery classes begin Monday, Jan. 18. For details, call 547-8671.
TRY A MOVIE: The Cabin Fever Film Series features Tom Hanks in “The Terminal” at 7 p.m. Monday, Jan. 18, at the Fenimore.
Labels: 01-15-10, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN and AROUND
|
Friday, January 1, 2010
|
 TURBINE TOPPLES: A 190-ton wind turbine collapsed two days after Christmas, toppling onto a field in Fenner, Madison County. Its owner, Enel North America, said that’s never happened before to one of its turbines, like those proposed for Cherry Valley and the Jordanville area.
‘THINK RINK’: The public is invited to a "Think Rink" party to celebrate improvements to the Badger Park skating rink (behind the Great American) 1-3 p.m. Sunday, Jan. 10, sponsored by the Friends of the Parks. Enjoy a DJ, a bonfire and free hot chocolate.
BOILER DAY: CCS students went to school Monday, Jan. 4, despite 10 inches of snowfall overnight. Tuesday, however, a malfunctioning boiler cancelled classes at the middle/high school.
TIN TOP PLAN: An informational meeting on restoring access to Hyde Hall through the Tin Top gatehouse is 7 p.m. Thursday, Jan. 14, at the Springfield Community Center. Architects/engineers Barton & Loguidice, Albany, and state parks staff will present.
WI-FI OFFERED: Admitted to Bassett? Bring your laptop. Complimentary Wi-Fi is now available. Labels: 01-08-10, Cooperstown and Around, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
Friday, December 25, 2009
|
 A Van Gogh donated to Yale University by Stephen Carlton Clark is the focus of a dispute that could put the ownership of billions of dollars of art in doubt, the AP is reporting. Pierre Konowaloff is suing Yale for return of “The Night Cafe,” owned by his industrialist great-grandfather, seized by the Bolsheviks and sold. Clark, founder of the National Baseball Hall of Fame, eventually obtained it and donated it to the university in 1961.
CELEBRATE: New Year’s Eve celebrations range from Dance The Night Away at the Foothills Performing Arts Center to Bassett Healthcare’s annual gala at The Otesaga. (See the Happenin’ Otsego calendar, A-7)
FINAL MASS: The final mass at St. Mary’s Catholic Church, Sharon Springs, was held Sunday, Dec. 27. The congregation is being absorbed into St. Thomas the Apostle, Cherry Valley, as part of a diocesan realignment.
THANKS! To thank a GI now serving in Iraq or Afghanistan, check out www.letssaythanks.com, sponsored by Xerox and the Boys Scouts, among others. STATE OF STATE: Call Pam at the Otsego Chamber, 432-4500, for reservations to the Monday, January 4, luncheon with the county’s Albany delegation at the Holiday Inn, Oneonta.Labels: 01-01-10, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
Friday, December 18, 2009
|
Bassett, Fox Affiliation Set On 1st Of ’10
The boards of Bassett Healthcare and A.O. Fox Memorial Hospital have signed the papers that finalize the affiliation of the two hospitals Jan. 1. Attorney Michael Getman, Fox board chair, will serve on the Bassett board; Bassett CFO Nick Nicoletti and Walter Franck, former director of medicine, will serve on the Bassett board. THIS IS IT: The applauded “America’s Rome: Artists in the Eternal City, 1800-1900” and “Walker Evans: Carbon and Silver” may be seen at The Fenimore Art Museum only until Dec. 31.
STATE OF STATE: The county’s Albany delegation are featured at the Otsego Chamber’s annual State of the State Luncheon 11:45 a.m. Monday, Jan. 4, at the Holiday Inn, Oneonta. For reservations, call 432-4500.
FOOD GRANT: The Scriven Foundation has provided a $5,000 grant to the Cooperstown Food Bank to be matched with money donated during the holiday season.
Labels: 12-25-09, Front Page, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
Friday, December 11, 2009
|
“Somewhere In Time”

COOPER CD: “The Last of the Mohicans” and “The Deerslayer” have been released by Typecast Audiobooks and may be downloaded at www.typecastaudiobooks.com
DREAM MOTELS? Word has been circulating that Cooperstown Dreams Park is planning two 50-room motels at its Hartwick Seminary property, but the town Planning Board has yet to receive an application.
BIRD COUNT: The National Audubon Society’s 110th annual Christmas Bird Count will be marked locally on Saturday, Dec. 19. To participate, call Bob Miller at 432-5767.
FIRST EDITION: A first edition of Washington Irving’s “Knickerbocker’s History of New York” is on display through February at the NYSHA library to commemorate the 200th anniversary of its publication. The library is open 9 a.m.-5 p.m. Monday-Friday.Labels: 12-18-09, Front Page, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
Friday, December 4, 2009
|

Design Connect To Unveil
Ideas To Upgrade 28
COOPERSTOWN The team redesigning Route 28’s entry into Cooperstown from the south will be reporting its findings at 7 p.m. Tuesday, Dec. 15, at 22 Main. DesignConnect, made up of Cornell landscape architects and community planners, will unveil its ideas for the “Cooperstown Corridor” to the public. Otsego Town Supervisor Tom Breiten and village resident Chuck Hage have been moving the effort forward.
ZONING MAP:
The village trustees plan two public hearings Monday, Dec. 21: at 8 p.m., on the proposed Guitar Hall of Fame; at 8:30 p.m., on a revised zoning map.
P&C ON HOLD:
Price Chopper has made an offer on four P&C supermarkets in the North Country, but spokesperson Mona Golub wouldn’t say if the Cooperstown Commons store is in the company’s sights.
NEW SUPER:
CCS School Board President Tony Scalici has told staff he hopes an offer will be made to a prospective new superintendent by April 2, acceptance by April 28, with a July 1 starting date.Labels: 12-11-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
WHERE THE DEALS ARE & THE FASHIONS!
|
Saturday, November 21, 2009
|
AUDREY’S OLD & NEW
CONSIGNMENT SHOP 4255 US Hwy 20, Richfield Springs Hours: Monday-Wednesday by appointment; Thursday, 10-6; Friday, Saturday, 10-5. Closed Sunday. Phone: (315) 858-9024
CATSKILL AREA HOSPICE THRIFT STORE & BOUTIQUE 269 Main St., Oneonta Hours: Tuesday-Saturday, 10-4 Phone: 432-5335 Cash, credit, check
FRUGAL FASHIONISTA 209 Main St., Cooperstown Hours: Tuesday, Wednesday, Friday, Satursday, 10-5; Thursday, 10-7. Closed Sunday and Monday through January. Phone: 643-7789 Cash or check
FRUGAL GUGAL 59 Pioneer St, Cooperstown Hours: Wednesday, 11-4; Thursday, 11-7; Friday, 11-5; Saturday, 0-5 Phone: 544-4239 Cash or check
HAPPY HIPPO 7364 State Route 28, Schuyler Lake. Hours: Thursday, Friday, 10-4; Saturday, 10-3. Closed February-March Cash or check
RICHFIELD CONSIGNMENT SHOP 148 Main St, Richfield Springs Hours: Wednesday-Friday, 10-3; Saturday, 10-5. Closed January-April Phone: (315) 858-0340 Cash or check
SALVATION ARMY ONEONTA FAMILY THRIFT STORE 105 Main St., Oneonta Hours: Monday, Tuesday, Friday, Saturday, 9-5; Wednesday, Thursday, 9-8 Phone: 432-0952 Credit or cash
SHAKEDOWN STREET 177 Main St, Oneonta Hours: Monday-Saturday, 11-5. Thursday to 6 p.m. Phone: 436-9776 Credit/cash; no checks.
SILKS AND TREASURES CONSIGNMENT & RESALE STORE 11 Clinton Plaza, Oneonta Hours: Monday-Friday, 10-5; Saturday, 10-4. Closed Sunday. Phone: 432-0587 Cash, check, credit
SPCA’s THE BETTER EXCHANGE 4841 State Highway 28, Cooperstown Hours: Tuesday-Friday, 10-4; Saturday, 10-2. Phone: 547-9462 Cash or check Labels: 11-27-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
FINE FASHION, GENTLY USED
|
Friday, November 20, 2009
|
Bargains Aplenty At Consignment Stores
Editor’s Note: This story was written jointly by Laura Cox and Amanda Hoepker, who toured Otsego County’s resale shops on assignment, and returned with new wardrobes. t’s a thrill… 
There is a shopping excitement that cannot be met through regular trips to the mall or other big name stores where the latest trends can be found at their regular store prices with maybe a sale rack here or there. This excitement is only brought out by second-hand shopping at thrift stores and consignment shops. Second-hand shopping always offers the element of surprise for what you may find at a cost you can’t beat anywhere else. It may take a little extra time and patience, but it will not only save you money, it can introduce you to fashions you could never afford otherwise. You may find an amazing vintage dress next to this season’s best seller from Ann Taylor, and all at the same $10 price. Take the white tweed jacket adorned with pearls and black ribbon that Laura bought at Silks and Treasures in Oneonta’s Clinton Plaza the other day. It retailed in the boutique mall store, White HouseBlack Market – the store that only sells fashions in black, white and shades of gray – for $198. She would never even think about dropping that kind of cash on a piece of clothing, especially not a jacket that could only wear occasionally do to its color and dressiness, but for $20, she didn’t even blink! In need of a new pair of jeans, Amanda found a like-new pair of Levi’s at the Happy Hippo in Schuyler Lake for $10 that would have retailed for at least $40 in mainstream stores. The rack was filled with other great name-brand designer jeans like 7s, Luckys and The Gap, all at the same price tag. With second-hand stores, you never know what you will find, and Otsego County has a multitude of consignment shops and charity thrift stores. To the north, there’s Audrey’s Old and New, east of Richfield Springs on Route 20, Richfield Consignment on Route 20 in Richfield Springs, as well as the Happy Hippo, located on Route 28 between Richfield Springs and Fly Creek. In the Cooperstown area, there is the Frugal Fashionista on Main Street next to Bieritz Agency, the Frugal Gugal on Pioneer Street, and the SPCA Better Exchange Thrift Store on Route 28 in Hyde Park. Oneonta offers the Catskill Area Hospice Thrift Shop & Boutique on Main Street, across from City Hall, Shakedown Street Consignment Shop at 177 Main St. on the second level two doors west of the History Center, Salvation Army Thrift Store on Main Street, in addition to Clinton Plaza’s Silks and Treasures Consignment & Resale Store. The difference between a consignment shop and a thrift store is one that doesn’t really matter to the shopper; it’s an internal issue. In a consignment shop, people provide gently used castoffs and get a cut of the sale price. Each store’s policy differs, but most require clothes be laundered, free of smell, stains or tears, and of current styles. If your clothes don’t sell after a set amount of time, some donate them to a charitable organization, others offer you the option to come pick them up. Consignment stores tend to have a slightly higher price tag because they take the time to organize by size, color and type and they offer clothes that match their policy – clean, no stains, and current styles. You can usually work your way through a rack at the consignment shops a little quicker because of the organization. The charity thrift stores work off of clothes that are donated to them at no profit to the donor. Some have the same restrictions as the consignment stores on what will be accepted, others will take most everything. Because of this accept-all mentality, some of the thrift stores require a keener eye to identify stains or tears, and may take more time to sift through the racks due to the sheer number of clothes. With second hand shopping, frequent visits to the stores are valuable because their merchandise is constantly rotating as items are bought or brought in. The Silks and Treasures alone has over 10,000 items out at any time. Certainly one of their 7,000 consigners has the same style as you. All these stores are within just a 45-minute drive, but if you are venturing out of town call ahead because some of them change their hours seasonally or are closed for the first few months of the year.Labels: 11-27-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
COOPERSTOWN AND AROUND
|
Friday, November 13, 2009
|
Crowell Lead Maintained, Not OfficialCOOPERSTOWN
A recount expanded Democrat Dan Crowell’s lead over Republican Ed Keator Jr. from five on Election Night to 6,304 to 6,149, but the victory won’t be official until election commissioners meet Tuesday, Nov. 24. Meanwhile, the Friday, Nov. 13, recanvass ends an era in the Town of Springfield, where Democrat Bill Elsey edged Republican incumbent Tom Armstrong, a veritable legend. County Rep. Betty Ann Schwerd, R-Edmeston, kept her seat, as did Hartwick Supervisor Pat Ryan with a 14-vote margin over Dave Petri.
SUPER SUPER: Help the CCS school board identify desirable attributes/qualities for the next superintendent of schools by filling out a survey at www.cooperstowncs.org by Dec. 31. NEW AT MARKET:
Danny’s Market’s Alice Gaveria will cook a Farmers’ Market Melange Stew at 9:30 a.m. Saturday, Nov. 21, at The Cooperstown Farmers’ Market, the first in a series that seeks to connect local restaurants with local farmers. Labels: 11-20-09, Front Page, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Cooperstown and Around
|
Friday, November 6, 2009
|
Arcuri, Murphy Split Votes On Health Reform
Otsego County’s congressmen cancelled each other out in the historic Saturday, Nov. 7, vote on health-insurance reform. U.S. Rep. Mike Arcuri, D-24, voted yea, while U.S. Rep. Scott Murphy, D-20, voted nay.
HALLELUJAH! This is a “Messiah” year for the Voices of Cooperstown, which is beginning practice for the 8 p.m. Saturday, Dec. 19, concert in Christ Church.
50 YEARS: Cooperstown Rotarians will be honoring Dr. Ted Peters at their Dec. 8 Christmas Party. Peters, the Bassett researcher, has been a Rotarian for half a century.
HEADLINER: Joel Grey was to play Aaron Copland in “Aaron Copland and Leonard Bernstein: Their Words, Their Music and Reminiscences,” a Glimmerglass Opera benefit Thursday, Nov. 12, at the New-York Historical Society in New York City.
PLAY TIME: Opportunities for Otsego has won a $5,000 grant to improve the outdoor play space at its Richfield Springs Head Start center.Labels: 11-13-09, frontpage, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Bound Volumes
|
Friday, October 30, 2009
|
175 YEARS AGO Pedestrianism – Walking, as it is the least expensive, so also it is one of the most healthy exercises of the human frame. By the introduction of vehicles with elastic springs and soft cushions, pedestrian exercises have been almost placed out of the pale of good society. The brig William Tell, Captain Riley, from Tangiers, which arrived a few days ago, brought to this country, a magnificent present of animals from the Emperor of Morocco to the President of the United States. Among these, we understand, is one of the largest and finest lions ever brought to America. November 10, 1834
150 YEARS AGO Advertisement – Perry’s Patent Sausage Stuffers and Meat Cutters, manufactured by S. Stone. The above are the best articles now in use, both of which are for sale, and their operation warranted by me. Traps – 500 Rat, Mink and Fox Traps. Also, a complete assortment of rotary wire and wire spring mouse traps for sale by C.J. Stillman. November 4, 1859
125 YEARS AGO The election in this village passed off very quietly last Tuesday (Grover Cleveland was elected President). A warm rain fell gently during most of the day. The interest shown in the election was evinced by the fact that the vote exceeded that ever before cast at this poll, being 829. Four years ago it was 821; and at no previous year in many had it gone above 767. The parade on Monday evening last was an excellent burlesque and comic affair, which put everybody in good humor. About 50 boys dressed in girls’ clothes, with music, torches, and appropriate banners, paraded as followers of the woman’s candidate, Mrs. Lockwood, singing "O Belva Ann, Fair Belva Ann, I know that thou art not a man; But I shall vote, pull off my coat, and vote for thee fair Belva Ann." November 8, 1884
100 YEARS AGO Mr. and Mrs. Guy Palmer of Cooperstown, New York, who perform as acrobats under the name "The Aerial Wilsons," were in Wilmington, Delaware last Wednesday at the Grand Opera House. While working on a suspended, swinging ladder, one of the rungs upon which Mrs. Palmer was seated broke and she fell 15 feet to the stage floor, landing on her side, severely shaken and bruised. When the accident occurred, the ladder tipped and her husband followed her to the stage. He was hurt about the face, the cartilage of his nose broken, and that organ badly gashed. While neither Palmer is seriously injured, it was necessary to discontinue the act and cancel several engagements. November 6, 1909
75 YEARS AGO The death of Fred L. Quaif, a prominent and lifelong resident of Cooperstown, occurred under tragic circumstances on Thursday afternoon of last week. The body, seated in his car, was found by Mrs. Quaif in the garage at his home on Nelson Avenue at about 4:45 o’clock. The motor was in operation and the doors and windows closed. Dr. F.J. Atwell and Dr. Sidney B. Tryon were called and reported death was caused by carbon monoxide gas poisoning. Mr. Quaif was born here February 9, 1863, a son of the late Mr. and Mrs. Robert Quaif. Following the business of his father, Mr. Quaif was a well-known hop dealer during the days of extensive hop cultivation in this county. He retained, up to the present time, a well-developed farm at Six-Mile Point on the Otsego Lake Road. November 7, 1934
50 YEARS AGO Editorial – At the beginning of the 20th century there were only 3 million persons in the United States over 65 years of age; now there are more than 16 million. According to Senator Pat McNamara of Michigan, 3,000 Americans pass the 65-year mark every day and by current longevity tables one fourth of these can expect to live 20 more years. Viewing a trend which has increased longevity by 45 percent in less than 60 years, Dr. Louis M. Orr, president of the American Medical Association, says, "We have added years to man’s life. Now we can face an even greater challenge – adding life to these years. The needs of the retired described by experts are primarily, but by no means entirely, financial. November 4, 1959
25 YEARS AGO The Cooperstown Emergency Squad has admitted its first members who were not firefighters and its first woman. Cooperstown’s former police chief Hank Nicols and his wife Joan, a lab technician and nurse’s aide, were the first people to join the squad without having to go through the fire department. The squad changed its by-laws several months ago and the Nicolses were the first to apply under the new rules. Both are qualified as EMTs. November 7, 1984
10 YEARS AGO Dale Petroskey, president of the National Baseball Hall of Fame and Museum, suggested Monday that, preliminary to further development in the area, a study should be undertaken to determine the region’s ability to welcome tourists without suffering a negative impact on the quality of life. November 5, 1999
Labels: 11-07-08, Bound Volumes, Columns, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Weekend's Best Bets
|
Friday, October 16, 2009
|
MSO Auction Has Something For Everyone
Performances by Oneonta’s Ultimate Idols, cash bar, Main Street Oneonta’s annual fundraising auction with “Big Chuck” Imperio as auctioneer, and a chance to get a look at Foothills Performing Art Center’s new building. What’s not to like? MSO’s auction, with all the attendant hoopla, begins at 5:30 p.m. (preview at 5) Friday, Oct. 23, in Foothill’s atrium.
BRA ART: Vestal’s Common Threads Quilters Guild’s “Brazieres For A Cure” – bras, provided by Maidenform and decorated to dramatize the fight against breast cancer – opens 5-7 p.m. Saturday, Oct. 24, at the Cooperstown Art Association, 22 Main St.
‘PAL JOEY’ John O’Hara’s novel, set to music by Rogers and Hart, will be performed at 8 p.m. Friday, Saturday and Sunday at SUNY Oneonta’s Goodrich Theater, produced by Orpheus Theater. Details at orpheustheatre.org
PLAY IT SAFE: Safe Kids of Otsego County Weekend is 11 a.m.-4 p.m., Saturday and Sunday, at the Fly Creek Cider Mill. Get reflective bags and stickers for your kids.
HAYDN MASS: The Catskill Choral Society performs Haydn’s “Grosse Mariazeller Messe in C” at 7:30 p.m. Saturday at First United Methodist Church, 66 Chestnut, Oneonta.
NATIVE FEST: Music, presentations and tours of the Iroquois bark longhouse are featured at a Native American Festival, 10 a.m.-4 p.m., at the SUNY Oneonta camp off upper East Street. Free; public welcome.
FIDDLIN’ Take a foliage drive to a Fiddlers’ Jam, 2-3:30 p.m. Sunday, Middlefield United Methodist Church. Bring not just your fiddle, but guitar, mandolin, bass, banjo or harp and join in. Singers welcome, too. Off County Route 166.
FINAL FOLIAGE: Before it falls, foliage may be viewed from a Cooperstown & Charlotte Valley train, departing at 1 p.m. Friday, Saturday and Sunday from the Milford Depot.
Labels: 10-23-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Years Of Pressing apples at Dyn's Ciider Mill
|
|
By JIM KEVLIN RICHFIELD SPRINGS
For 73 of its years – Dyn’s Cider Mill is celebrating its 80th season right now – it was in a former cheese factory that still stands at the end of Wing Hill Road. And for years, John Dyn, the second generation to run the operation, dreamed of relocating it to busy Route 28, three miles away. Son Ken kept that dream alive as he and wife Dale ran the cider mill while raising four sons, John, Greg, “Big Jake” and Travis. “If I don’t buy land this year,” Ken told his family as 2002 began, “I’m going to stop talking about it.” Wouldn’t you know, a nice piece of land came up for sale at the corner of Wing Hill Road and Route 28. Perfect. On July 5, 2002, construction – done mostly by dad and the four sons – began. On Oct. 12, 2002, the dream came true. Business, said Dale, jumped 50 percent that first season. Since, it’s grown to 300 percent of what it was. “It’s been a lot of work,” she reflected the other day, looking around the combination cider mill, country store and restaurant a stone’s throw from Canadarago Lake. “But it’s worth it.” At Dyn’s, you’ll see an apple-pressing process very similar to what you would have seen 100 years ago – 125 years ago, to be precise. That’s when The Hydraulic Press Co. of Gilead, Ohio, manufactured the press that John Dyn bought in the 1950s to replace the original hand-press John’s dad Walter used. When Ken was a boy, he, brother Walt and sisters Nioga and Sabrina – now Sabrina Bodack, she still helps him out today – would turn the screw-operated press. In those days, there were perhaps a dozen cider mills around Otsego County. (Today, there are four.) Ken remembers farmers lined up during pressing season with wagons full of apples, and wagons full of 30- and 50-gallons barrels to take the sweet cider away to be turned into vinegar or applejack. Dale had Dorothy Hopper paint a picture of the old mill on a saw’s circular blade; Earl McDaniel painted the new one. The two blades hang side by side. Today, Dyn’s building is one large room, with a stomach-high wooden barrier separating the factory from the customers. Over on the far wall is the proverbial applecart. Apples are poured through a trap door on its side into a conveyer, which carries them up to a grinder that turns the fruit into a mush. Ken takes a wooden rack, covers it with a mesh (Dacron replaced burlap some years ago, and hoses a thick layer of the mush onto the mesh. He and Sabrina fold the mesh to hold the mush in place, put another rack on top of it and repeated the process. The racks were 10 high before Ken pushed the stack into the press, which pushes from the bottom up. The resulting juice is sucked through an ultra-violet-light pasteurizer and into a stainless-steel refrigerated tank. Ashley Van Brink fills the jugs from the tank, ready to be sold within a couple of minutes of the pressing. There’s a meant-to-be feeling about Ken and Dale Dyn’s story. Dale Seamon and her future husband grew up a couple of farms from each other near the Exeter-Richfield town line. Their mothers – Shirley Seamon and Beatrice Dyn – were good friends. The future husband and bride went to Richfield Springs Central School, graduating about the time Ken bought a ‘66 Chevelle. “It was brand new,” Dale said with a laugh. “I thought he was rich!” Ken and Dale married in 1968. After a few years doing construction, the young husband and wife took over the family farm in 1974. They milked 100 Holsteins and – as Dyns had been doing for two decades by then – pressed cider from Labor Day to Thanksgiving. Early on, Dale began developing the retail side of the business with homemade pies. “$2.50 apiece!” she said, and the couple laughed again at that memory. “I wouldn’t have the dishes done,” she said, “but” – working through the night – “I’d have my apples peeled.” Summer squash, zucchini, butternut squash and other produce became part of the picture. Today, local maple syrup, honey from the Dyns’ 11 hives (each produces about 300 pounds), and such specialties as salsa bottled with the Dyn’s brand have been added to the inventory. Sundays, you can buy breakfast. Wednesdays, there’s spaghetti. Since moving to the new location, Dyn’s season has expanded to nine months of the year, attracting campers in the summer, leaf-peepers in the fall and snowmobilers in winter. (A trail runs right behind the store.) Throughout, locals are an important sector. “Everybody is so good to us,” said Dale. “They support us. We’re really grateful.” The Dyns’ cider is a blend of two or three varieties, Macs, Delicious and others. As Thanksgiving nears, they get more and more requests for cider from Northern Spy apples, so they shift production in that direction. “It’s sweet, syrupier,” said Ken. “It has a flavor all its own.”
Willy’s – Scenic Drive To Fun Destination
By JIM KEVLIN SCHENEVUS
The “multiply” part came first for William and Mary Gartung. The couple, who sold their Long Island farm and bought one north of here in 1960, produced seven boys and five girls. The dozen kids produced more than 50 grandkids – let’s leave it at “more than 50,” as Mary Allen, sister Linda Clements and their brother’s daughter-in-law Cat Gartung kept losing count the other day as they tried to add them up. And the 50-plus grandkids have so far produced more that 100 great-grandchildren.
The “fruitful” part – the apple part – came in 1992, when patriarch William died and the next generation had to think about how to keep the farm in the family for their mother’s sake. At the time, Mary was living in Florida and sent a missive north to her brothers and sisters: Why not develop a seasonal cider mill, something like the Michaelses’ Fly Creek operation, to cover the taxes? It would be easy, she reasoned. “I was wrong, it’s not that easy,” said Mary, who nonetheless brims with enthusiasm. Another relative saw an old photo of Willy Gartung and a draft horse at his original farm and said, “Why not Willy’s Farm?” And so Willy’s Farm & Cider Mill was launched in 1994, and it has survived today with the help of the many dozen offspring. “Whoever shows up, we put them to work,” Mary said the other Friday – the operation was to open at noon – as Cat and Linda peeled apples in the kitchen. Mom Mary, now 94, was over in the corner, sipping cider and taking a call from son Ernest, en route to home from Tennessee. In the front room, baby Willa – granddaughter Ashley Wilkersen’s baby – was asleep in an apple box. Her brother, Eli, 16 months, was cheerfully underfoot. At first, the family enhanced the cider selling with pumpkins and Indian corn, but has since added a corn maze, games for kids, a country-crafts store in the big barn, and horse-drawn wagon rides. It was feared the wagon rides would come to an end when Mary’s brother John Gartung died two years ago, but since, two of his children, son John and daughter Diana Brady, have become certified wagon masters and keep the rides going in his memory. Because of state regulations requiring pasteurizing, Willy’s Farm sells Beak & Skiff cider from Lafayette. But, in Schenectady, the family acquired an antique press made by Thomas-Albright Co. of Goshen, Ind., and custom-presses apples for others’ personal use. (The other weekend, a longtime customer was due to arrive from Connecticut with a pick-up full of apples.) The record press so far was 147 bushels, which made 75 gallons of cider. Finding the press wasn’t hard, said Mary, but it arrived in boxes, and mechanically inclined relatives painstakingly put it together from a photo, quite a puzzle. Driving up from Schenevus, a series of Burma-Shave-like signs keep customers coming. “The pies are bakin’” says the first sign as you drive along the lovely Elk Creek valley on Route 34. And, a little beyond, “...you’d better get shakin’.” Once you take a left up Badeau Hill Road and start to wonder if you’ve missed it, there’s “Don’t despair...” and a little farther, “you’re almost there.” And so you are. Another
IF YOU GO: Willy’s Farm & Cider Mill is open noon-5 Fridays, 9-5 Saturdays, 11-5 Sundays. From Oneonta, take I-88 to Exit 18; left on Route 7, right on Route 34, and follow signs. From Cooperstown, take Murphy Hill Road to Route 166 south, left on Norton Cross, left on Route 35, right on 34A, right on 34 and follow the signs.Labels: 10-23-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
A Marriage Of 2 Muses: Meeting Of True Minds Simply Happenstance
|
Friday, October 9, 2009
|
By JIM KEVLIN
COOPERSTOWN
Bob Schneider’s parents were businesspeople. Mom worked for IBM; dad had his own auto- and aircraft-upholstery business. They worked a lot, and outside of the house. Susan Goetz’s family were artists. Dad’s studio was at home, and he had to clog the keyholes with Crayons to keep the neighborhood kids from peeking at the nude models. So there was a bit of culture shock when she was hired in 1978 as a bartender at Bistro 22 in Beacon, where he was already a waiter, and she brought him home for the first time. “There were all these people at the Goetzes’ house, always,” said Bob. “It was like being at a continuous cocktail party.” From different starting points, Bob and Susan Goetz Schneider ended up in the same place, and have been together since that fateful day when they “immediately” discovered their common interest. (It was Bob’s birthday; hold that thought.) They recently moved their studios and Cooperstown Art School back into the Key Bank building – the former Studio 54 building across the street had been sold – and continue, into a third decade, to pursue their joint vocation from the high-ceilinged and spacious offices that formerly housed the Leatherstocking Insurance Co. (now in Hartwick Seminary). The difference is dramatic: Paintings now line the walls from floor to ceiling. In Susan’s studio, one wall is paintings of artists who had a major influence on her. There’s a portrait Lajos Markos, one teacher, did of her when she was 15. There’s a painting by her father, a delicate still life that, she remembers, took months to complete. In his studio is on the building’s bright northeast corner – the daylight factory windows from its days the Arthur H. Crist Publishing Co.’s plant let in the north light artists’ covet – landscapes range from small oil sketches set on the top of the door frame to a large canvas on an easel. At the time they met, Bob had enrolled at the Portland (Me.) School of Art and planned to attend that fall. Susie was studying under Frank Mason at the venerable Art Students League in New York City – once-future greats from George Bellows to Georgia O’Keeffe studied there – and she talked Bob into joining her. Bob was raised in what he describes as a “normal” family – although his father took up flying, and brother John became Bo Duke on “The Dukes of Hazzard” – in Katonah, Westchester County. Growing up, he was always “the kid who could draw,” but art “didn’t look like a career path in my business-minded family.” He visited the Rhode Island School of Design and Pratt, nonethelss, but was turned off by the exclusive focus on abstract painting. Instead, he got a SUNY Delhi hospitality degree, then spent a year in Atlanta with Hilton before refocusing on his first interest. Susie’s father Robert was from Oklahoma. In New York City before World War II, he flirted with the coat-girl at the Arts Student League. She introduced him to a girlfriend. They soon began a four-year engagement as he went off to war, then married and six children followed. Susie’s mother chafed in Oklahoma, and part of the deal was that the family spend the three summer months back in her hometown of Bedford. The father taught at the League in New York City and founded the Old Chatham Art School in Columbia County. By 8, the daughter was attending her parents’ art classes, along with her brothers and sisters, four of whom grew into artists. The other two became scientists, but found artistic expression in music. In the late ‘70s, Robert Goetz had students helping him renovate a barn into studio space, in exchange for art lessons, when Susie brought Bob home. Soon, father, daughter and future son-in-law were spending evenings painting views around the seven-acre property. That fall, the couple studied painting together. Bob calls teachers like Frank Mason “powerful personalities.” (The teacher once drew a streak of white paint across his student’s canvas to prove a point.) Susan calls them “titans.” Unschooled, Bob learned “you have to work down from big pieces, rather than build from a lot of little pieces.” Under the influence of the Hudson River School (and later American Impressionists), he turned to landscapes, attending Mason’s summer program in Stowe, Vt. Susan turned to portraits. Both remain on those tracks, although not exclusively, until today. In 1983, their mentor painted “The Betrothed,” with the couple as models. In 1984, they married indeed, buying a big house in Beacon and – like her father before them – opening an art school, which they operated for a dozen years, and still maintain ties there with their students’ self-proclaimed High School School, after the school’s location. For instance, Bob’s “Autumn Sunset: A View of the Hudson from Olana,” is on display in “An Enduring Influence: Eight Painters Inspired by the Hudson River School” at the A.S.K. Gallery, Kingston, through Oct. 31. Susan’s longtime com-mission to do portraits of people awarded the West Point Class of 1931’s Sylvanus Thayer Award – the paintings hang in the Academy’s Lee Hall – extended to 2006, long after the Schneiders made Cooperstown their home. (Most of those portraits had to be done from photos, but Sandra Day O’Connor was among those who agreed to a sitting.) As son Philip entered school, his parents – looking at private-school tuition and the cost of maintaining a big house in pricey Westchester County – began a place for our son to grow up.” After a year in San Antonio, the couple moved to Stamford. That Valentine’s Day – Feb. 14 is Susie’s birthday – Bob bought tickets for the Susquehanna Ball, held at The Otesaga in the 1990s as part of the Cooperstown Winter Carnival. He’d been to Cooperstown once as a boy; she, never. And since they knew no one, they were seated at the table with everybody else who knew no one. They met Sam Roth, who invited them back to visit him at Mohegan Lodge, and he showed them the sights. They were entranced by everything Cooperstown had to offer, and moved up as soon as they could. (Son Philip graduated from CCS in 2008, and is studying fashion design – and, more recently, painting – at the Fashion Institute of Technology; he has gone painting a few times with his parents.) As any couple in business together, the experience has ranged, no doubt, from high romance to high tension. “I’m much more sales driven,” said Bob. “She’s much more aesthetics driven.” She paints 8-12 hours a day; he much less. But he completes 60 canvasses a year; she’s been known to work on the same picture for three years, and has a half-dozen portraits in progress right now. “It’s a good thing Bob’s in my life,” said Susie, “or I would starve to death.”
Labels: 10-16-09, The City of the HillsLabels: 10-16-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Weekend's Best Bets
|
|
For The Love Of Stargazing
Attention, stargazers. Astronaut John Grunsfeld, who repaired the Hubble Space Telescope in outer space, will talk about his experience in a simulcast that can be viewed during an Enchanted Skies Star Party at 9 p.m. Friday, Oct. 16, at Room 401, Johnstone Hall, Hartwick College, Oneonta. The Mohawk Valley Astronomical Society is planning a similar party at 8:30 p.m. At the Waterville Public Library, and – weather permitting – will set up telescopes on the library lawn for stargazing. For more details, check www.enchantedskies.org.
LUNCH, POLITICS: Barbara Bartoletti, the state League of Women Voters legislative director, will speak at a noon luncheon Saturday, Oct. 17, at The Otesaga, sponsored by the Cooperstown and Oneonta chapters. All are welcome. Lunch is $19.
RUN v. CANCER: The “One of Our Own” 5K Run/2 Mile Walk, steps off at 11 a.m. Sunday, Oct. 18, from the Clark Sports Center, to benefit cancer victims. A kids’ fun run is at 10:15. A Brooks BBQ follows, noon-2 p.m.
ALL THAT JAZZ: John Jorgenson and his Gypsy Jazz Quintet opens the Cooperstown Concert Series season at 7:30 p.m. Saturday, Oct. 17, at CCS’ Sterling Auditorium. Info, 547-1812.
WWII EXHIBIT: The opening reception for “Oneonta & World War II” A Salute to the Greatest Generation,” is 2-4 p.m. Sunday at the Oneonta History Center, 183 Main St.
ZITI, HAIRCUT: A Ziti Dinner/Hair-Cut-A-Thon is noon-3 p.m. Sunday at The zone, Ann Street, Richfield Springs. Dinner $5.50; haircut, $10; basket-bingo cards, $1.50 each.Labels: 10-16-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
The Hills are Alive
|
|
Sam Goodyear
Among the multiple pleasures of participating in the performing arts, especially in our region where there are so many opportunities, one major benefit is the friendships forged with one’s fellow performers. I have made numerous “best friends” in my appearances with Glimmerglass Opera, Orpheus Theatre, the Cooperstown Theatre Festival and Leatherstocking Theatre Company. In the mid-1980s, I also was a member of the Catskill Choral Society. Weekly rehearsals were something I keenly anticipated, not only for the stimulation of the beautiful music we were working on, or the high quality of musicianship from conductor Thurston Dox and my fellow choristers, but also for the pleasure of checking in with my best friend in the tenor section. Bob Groves had a soft-spoken cordial demeanor, a splendid sense of humor, and a ready laugh. Though we worked hard and concentrated fiercely on the music, I always felt like a junior high school kid on a Saturday in his presence. His taste for fun was infectious. I also had the pleasure of performing with him in an Orpheus production of “Oklahoma!” When he was not treading the boards with that organization, he was masterfully running the busy box-office. He also had time to dazzle countless lucky citizens with his floral expertise. I confess to tears when he and his wife Helen showed up at the opening of a solo exhihibtion of mine at the Smithy Pioneer Gallery one June afternoon many years ago. He was, in addition to everything else, truly loyal. Bob died a few months ago, in his late ’80s, something of a miracle really, because he had had seriously dangerous bouts with heart disease for decades. Perhaps it was his figurative “good heart” that gave him a surcease on life. He is deeply missed. But he will be celebrated when the Catskill Choral Society dedicates its first concert of the season to him at 7:30 p.m. Saturday, Oct. 24, in the First United Methodist Church on Chestnut Street in Oneonta. Music director Timothy Newton will conduct Franz Josef Haydn’s “Grosse Mariazeller Messe in C.” This will also mark the ensemble’s 40th consecutive year of superb music-making. Timothy Horne will officiate at the piano. This particular mass is not as well known as some of the “standards” heard regularly throughout the land. All the more kudos to the Catskill Choral Society.Labels: 10-16-09, Art Beat, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Weekend's Best bets
|
Friday, October 2, 2009
|
Comedian Martin Short Plays Oneonta
ONEONTA
Martin Short, legendary comedian and actor, plays Hartwick College at 8 p.m. Saturday, Oct. 10, at Lambros Arena, Binder Physical Education Center. One night only. Tickets $25. For info, call, Andy Binder, 431-4507 or bindera@hartwick.edu.
IT’S DIFFERENT: “Treasures from Thailand,” Hmong needlework, 10 a.m.-5 p.m., Sunday, Oct. 11, Goldpetals Barn, near Fly Creek. Info, call Ellen 607-547-8425.
WAFFLES, PUPPETS: An annual celebration for the whole family at Brewery Ommegang. Puppet shows at 1 and 3:30 p.m.
FOLIAGE, PLUS: Check out the fall leaves en route to the Middlefield Fall Festival & Craft Show, 10 a.m.-4 p.m. at the old schoolhouse in the hamlet off Route 166. Seasonal products, live music, food, ghost stories and children’s activities.
WWII IN ONEONTA: The Greater Oneonta Historical Society’s exhibit commemorating the City of the Hills contribution to the war effort gets under way Sunday. The opening reception is the following Sunday, Oct. 18.
WHY NOT? Pete Oberacker demonstrates sausage making 1-4 p.m. at Williy Farm & Cider Mill, 349 Badeau Hill Road (four miles north of Schenevus) Also, live music with “Out of the Wilderness,” bluegrass & Gospel trio.Labels: 10-09-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
2 Of Our Own
|
|
 Chenango Officer With Otsego Ties Finds Himself Stricken With Cancer By LAURA COX
NORWICH
‘On Sept. 15, my whole life changed in an instant,” said Sgt. Michael Friot, an officer at the Chenango County Correctional Facility who lives outside of Norwich. That was the day he and his wife went to the doctor to find out why he had been having difficulty swallowing for a few weeks. Even his co-workers were noticing; they encouraged him to check it out. “I am not usually one to go to the doctor,” said Friot, “but I figured they would just stretch my throat and it would be fine.” Instead, tests discovered a mass that did not look good. He was immediately referred to Broome Oncology for a biopsy and CT scan. This sudden change in Friot’s life caused Sgt. Mike Reckeweg of the Otsego County Correctional Facility to make his fellow sergeant one of two beneficiaries of this year’s “One of Our Own” benefit walk/run, planned Sunday, Oct. 18, at the Clark Sports Center. This is the run’s second year. Last year, Correctional Officer Jesse Torruella, then 23, came down with cancer, inspiring Reckeweg – his supervisor – to launch the effort for the former CCS standout football player. “I thought, worse case, it would be cancerous and I could fight it,” Friot said. “But they told me it was in my lungs, liver and esophagus, too.” It was stage IV throat cancer; he had a 4-inch tumor in his throat. Coming up to his 40th birthday last summer, Friot had decided last December to get in better shape. He had been hitting the gym and lost 45 pounds. He now believes his mind was preparing his body for a battle. He needed to get healthy to fight what was to come. With the cancer already metastasized to multiple organs, Friot’s doctor said surgery and radiation are not options. But because he is young and healthy, he will receive the strongest chemo treatment available, then perhaps can go to Rochester for surgery. Friot and his wife of 19 years, Deborah, have a son Austin, 11. When he spoke about his wife and son, the officer had tears in his eyes: “They have been my rock … Austin has been amazing; he knows I’m sick but he has been strong.” Just a couple days after diagnosis, Friot was admitted to the hospital to have a metaport implanted – a device just under the skin below the collarbone that allows cancer patients to receive chemo drugs without repeated intravenous shots. He started chemotherapy Sept. 21, with seven bags of medicine. He spent the first week in the hospital hooked up to the machines, then took home a pump for the rest of the regimen. Friday, Oct. 2, was when he was supposed to start losing his hair. On Thursday, Oct.1 he pulled on it to show that it was still holding fast. “Maybe,” he conjectured, “it may stay.” In his week of chemo he lost another 10 pounds due to nausea. He didn’t even have an appetite until the morning of Oct. 1. “I can’t think longterm anymore. I am trying to make every week special from here on out,” said Friot, spending as much time with his family as possible. Each day, he waits to hear his dog bark: That means Austin’s school bus is pulling up. Friot’s connection with the Otsego County Sheriff’s Department is strong. He went through his basic training at the county Law Enforcement Academy at SUNY Oneonta, and since has taught there. “Going over there is like a second home to me, there are still a lot of the same people I met early in my career there,” said Friot. The sergeant will start his next round of chemo Monday, Oct. 12, but said, if at all possible, he will be at “One of our Own,” “even if I am doubled over in my recliner sideways somewhere, I want to be there. Ideally, I’d like to walk it.” The recliner he spoke of was bought for him by his co-workers at the Chenango County Sheriff’s Department because he couldn’t find a comfortable place to rest or sleep while hooked up to his chemo pump at home. He was also given a PSP so he has something to do while getting his chemo. “I didn’t realize how fast word would get out, but I was told there are people I don’t even know praying for me. Out of the county and out of the state even,” remarked Friot, “I have been overwhelmed with calls from people asking what they can do.”
Suspicious Lump Provided Hint Of Teen’s Cancer Scare To Come By LAURA COX
ONEONTA
At 16, there are many things on a girl’s mind: friends, boys and school, to name a few, but health is rarely one of them. This fall, one Oneonta girl’s parents are saying blessings that their daughter spoke up when she sensed something wasn’t right. “Jessica found a lump on her neck in late April or early May,” said Jessica Dresser’s mom Patty. “We went to our family doctor and he told us to wait a couple weeks and see if it went away.” “I just knew it wasn’t supposed to be there,” said Jessica. After a few weeks and no improvement, mom and daughter went back. Jessica’s doctor ordered a needle biopsy of the lump; the results came back inconclusive. A full biopsy in a hospital brought results, but not the results anyone wants to hear. “They knew it was cancer, but they were not sure what kind it was exactly,” said Patty. The family was referred to theDana-Farber Cancer Institute, Boston. Jessica, brother Michael, 8, dad Steve and her mother packed up the family car and made the four-hour trip shortly thereafter. After six weeks of tests and scans and trips to and fro, a diagnosis was finally made: Jessica had olfactory neuroblastoma, a lemon size tumor in her sinuses. Organizers of the second annual “One of Our Own” Walk/Run, which starts at 11 a.m. Sunday, Oct. 18, at the Clark Sports Center, heard about the Dressers’ dilemma, and she was chosen as one of two beneficiaries of this year’s event. Plus, Jessica’s former daycare provider, Angel Ferguson, has organized the Jessica Dresser Family Fun Raiser noon-4 p.m. Saturday, Oct. 10, at the Sixth Ward Booster Club in Oneonta. There will be inflatable bouncy houses, face painting, music by D.J. Wooden, food and a Chinese Auction. “This type of cancer isn’t a children’s cancer; actually, it is most commonly diagnosed in adults around the age of 45,” Steve explained. “She had no swelling on her face, so we wouldn’t have known if not for her noticing the lump and later her difficulty in breathing from one side of her nose.” Just two days after the school year began, Jessica and her family made another trip to Boston; this time for surgery. On Sept. 11, Jessica underwent 13 hours on the operating table and five awful-sounding procedures: craniotomy, tumor removal, removal of some lymph nodes in neck, and installation of a feeding tube and lumbar drain. The day before she had undergone four hours of surgery to cut off the blood flow to the tumor, making it easier to remove. “Her doctor was great, which helped us a lot,” said Steve. Patty added that they were updated on her surgery every few hours. After 13 days in Boston, Jessica returned home. She returned to school Sept. 28, just in time for Homecoming. She bought a dress for the dance and planned to attend with her boyfriend. Friends at Oneonta High School have held bake sales in Jessica’s honor. “All the support is amazing and overwhelming at the same time; the phone has been ringing off the hook,” said Patty.Labels: 10-09-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Drogen's Your Store For The Home For 60 Years At 60, Otsego County Retailing Mainstay Still Avows Success-Yielding Principles
|
Wednesday, September 30, 2009
|
By JIM KEVLIN
ONEONTA
The first store, 60 years ago, was shared with a shoe-repair shop at Main and Broadway. Any evidence of it is beneath Kim Muller Plaza. The second store, a half-dozen years later, was at Main and Luther, near the Golden Guernsey. Any evidence of it was obliterated by I-88. That said, at age 60 there’s no lack of evidence that Drogen’s is still here, and thriving. The Southside store – pioneer Paul Drogen correctly anticipated what would happen to the neighborhood when he moved there 31 years ago – has been expanded over the years to the size of a football field. On River Street, a former disposable-diaper factory now houses Drogen’s electrical and lighting outlet, the company warehouse and the corporate offices. Both properties provide plenty of space for expansion. So, in an interview as the store’s 60th anniversary arrived, Arnie Drogen, Paul and Muriel’s son, reflected with some satisfaction that the retailer is positioned for success for a long time to come. With “good prices, good quality, good service” – Drogen’s words – why not? Together, the Southside and River Street properties provide 160,000 square feet of space, a long way from the 200 square feet in the original location. Back from World War II, Paul Drogen, an electrician before the war, looked north from New York City, seeking a quieter lifestyle in a good community to raise a family. “He came here one day and fell in love with Oneonta,” said his son. That was the hey-day of downtowns nationwide, and Oneonta’s was no different. Every storefront was filled. That said, “it was an era where there were not a lot of options for people to buy electrical products,” said Drogen. So Paul made a deal with the cobbler, divided the store in half and got started, primarily serving electrical contractors. By the time he moved to the corner of Luther five years later, he was selling small appliances – toasters, percolators – as well as major appliances. By this time, young Arnie had arrived on the scene, and would spend much of the next two decades at the various Drogen’s locations. Until just a few years ago, old-time customers would tell him, “I remember when your mother would bring you in in a baby carriage.” By the time he was 4 or 5, Arnie Drogen was greeting customers. As he grew, he worked behind the counter, in the warehouse, driving delivery trucks, doing pretty much everything. He graduated from OHS, then Union College, where he studied English, theater and foreign languages, then went off for a year at the Sorbonne in heady 1968. He still speaks French well. Returning to The States, Drogen spent the next several years at Berkeley, obtaining an advanced degree in theater, producing avante garde plays and absorbing the atmosphere. He would walk by Alice Waters’ famed Chez Panisse on the way to campus, and would often stop in for a bite, meeting many of the celebrities who flocked to the birthplace of “California Cuisine.” Arnie returned to the family business in 1978, about the time the Southside store opened as a full-range home-products and furnishing emporium, and the city was abuzz. “Mr. Drogen has lost his mind,” people were saying, “putting up a building on Southside, in the middle of nowhere.” Said Paul’s son, “It was rather courageous.” It was also visionary, given everything that’s happened there since. Back home, the younger Drogen refocused his theater training on showmanship in marketing and promotion. He organized the first tent sale. He developed the anniversary sale – the 60th is going on now – as the crown jewel on Drogen’s promotional calendar. “We’ve made it a point to go all out,” he said, “to make it our biggest promotion.” To compete with the Big Boxes, Drogen’s affiliated with BrandSource, a coop that buys $8-10 billion annually for independent stores, assuring they can match anyone’s prices. “We buy at the same level as any of the so-called big guys,” said the president and CEO. Another strategy has been treating employees well, said Drogen, who concluded that salespeople treat customers they way they are treated. “People who work with Drogen’s and for Drogen’s” – 70 in all – are our family,” he said. “There is a lot of good feeling here and a lot of love.” That’s evident in the longevity of much of the staff. Marilyn Hillis, who joined the company right out of high school a half-century ago and still works part-time, is legendary in that regard. But Dale Bullock, co-manager, Drogen Electric Supply, has been with the company 31 years. The other co-manager, Chris Puerile, has been there a decade. (Drogen’s other key manager is Arnie Levy, at the Southside retail store; Jim Morris is Levy’s deputy.) In addition to promotion and human relations, the owner credits the company’s continuing success to “a lot of grace. A lot of good fortune.” But let’s back up a minute to promotion. tED – the Electrical Distributor magazine – singled out Drogen’s “Field of Dreams” promotion in its “Best Practices” section of the August 2008 issue. Drogen’s partnered with Crescent/Stonco, the lighting company, inviting their best customers to a reception, tours and dinner at the National Baseball Hall of Fame. A sales contest ensued, with the winner of five divisions hosted at Crescent/Stonco’s box seats behind home plate at Yankee Stadium. By the time it was done, related business had gone up 35-40 percent.Labels: 10-02-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Weekend's Best Bets
|
|
Homecoming At Oneonta, Cooperstown
Hometown games are upon us at Oneonta City and Cooperstown Central high schools.
Oneonta’s game is 1:30 p.m. Saturday, Oct. 3, when the Yellowjackets face Unatego.
Cooperstown’s game is at 7 p.m. Friday, Oct. 2, when the Redskins face Frankfort Schuyler.
QUILTS APLENTY: Quilting enthusiasts have been looking forward to “Rainbows of Color,” the annual quit show 10 a.m.-5 p.m., Friday-Sunday, Oct. 2-4, at the Major’s Inn, Gilbertsville.
BLESSING: All pets – and friends – are welcome at the annual blessing of the animals at 5:30 p.m. Friday, Oct. 2, at St. Mary’s Church, Oneonta.
ANNUAL LUNCH: The Cooperstown Native Daughters’ annual luncheon is noon Saturday, Oct. 3, at The Otesaga. To be a daughter, you must be at least 50 and have been born within a 10-mile radius of Cooperstown, or lived there 50 years.
ART EVERYWHERE: Eugene Lissandrello and Dan Friend open at UCCCA’s Wilber Mansion at 5 p.m. Friday, Oct. 2; “Catskill Landcapes,” 4-8 p.m. Saturday, at the B. Sharp Gallery, Route 28, Franklin Mountain; and nine artists will exhibit 10 a.m.-5 p.m. Sunday at the Unadilla Historical Society’s annual show.
SHOP EARLY: A Christmas shopping party is planned 3:30-6 p.m. Sunday at The Zone Community Center, Ann Street, Richfield Springs.
CANCER CHECKS: Bassett Healthcare’s new Mobile Cancer Screening Coach will be at the Fly Creek Cider Mill’s “Big Squeeze” weekend 9 a.m.-4:30 p.m. Saturday, Oct. 3. Sunday, breast examinations and digital mammography will be provided 11 a.m.-4 p.m.. | Labels: 10-02-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Moms Go On The Road
|
|
SAM GOODYEAR ART BEAT
So you thought there was no life after summer? O, ye of little faith! Sure the festival mania is behind us, but this is Otsego County, our very own bucolic Florence, and the artistic pulse here never slows: We spoke a couple of weeks ago about the Catskill Symphony Orchestra’s season now under way. There’s the Cooperstown Concert series to note on your calendar. The Oneonta Concert Association will soon be in full swing. Orpheus Theatre is revving up as we speak (write). And let’s not forget the new excitement at Foothills Performing Arts Center, where Executive Director Jennifer McDowall has engaged a hot new rock concert musical to perform Thursday-Saturday, Oct. 1-3. It’s called “MoM” and was a sensation at the New York International Fringe Festival this past summer, subsequently selected to move on to the Encore Series. Written and directed by Richard Caliban (artistic director for 14 years at NYC’s Cucaracha Theatre), “MoM” tells the story of a group of middle-aged suburban mothers in the Midwest who put together a band, just for laughs, and play at a fund-raiser at their children’s high school. Ha ha. The laugh is on them as they find themselves thrust into unexpected limelight and embark on fulltime, big time rock band tours. Hopes spawned in the constrictions of domestic life suddenly become realities, but not without struggle and serious challenges to their marriages and family life. We hesitate to quote our out-of-town competition, but the Village Voice proclaimed that the show’s “songs are a terrific mix of styles, and the lyrics… aim for humor and genuine emotion, often inspiring both… A life for ‘MoM’ post-Fringe is undeniable.” And so it has proved, and here is your opportunity to be in on it. Sound like a plan?Labels: 10-02-09, Art Beat, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Try These Garlic Delicacies, Ala Local Chefs
|
Wednesday, September 23, 2009
|
Dave Neil’s Roasted Garlic
Take whole bulb, rub with olive oil, salt and pepper. Put root end down and cut off until cloves are exposed; about 1/8th of the bulb should be pared. Put baking dish in 350-degree oven for 40-45 minutes. Let cool. Squeeze whole bulb; it will gush out. Use in mashed potatoes, straight, on grilled bread like butter or as a paste in salad dressing.
Linda Smirk’s Cheddar Garlic Dip 2 cup grated cheddar 1 cup mayo 1 small onion, grated 3 cloves garlic, chopped Preheat oven to 350. Mix ingredients in baking dish. Bake in the oven for 20 minutes and serve warm with crackers or bread. Adapted from the Horned Dorset Dip
Vinny’s Quick Sauce
12 Roma tomatoes 4 Tsp. olive oil 4 cloves garlic, sliced Salt and paper to taste Pinch of parsley Boil the tomatoes, peel the skins off; discard skins and crush tomatoes. Mix crushed tomatoes with olive oil with garlic. Add salt and pepper to taste. Serve over a dish of linguine.Labels: 9-25-09, Glimmerglass, recipes |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Best Bets
|
|
Pumpkin Fest Brings Gourds By Hundreds COOPERSTOWN
The Cooperstown Chamber’s Pumpkinfest 2009 weigh-in is 10 a.m.-3 p.m. Saturday, Sept. 26, in the Doubleday Field parking lot. Not to be missed! Other highlights include arts, crafts, food, beer tastings and pumpkin painting, sponsored by the Cooperstown PTO. Sunday, Sept. 27, the action moves to Lake Front Park, where the Pumpkin Regatta takes off at 1 p.m., but pumpkin preparations will go on throughout the morning. The Horseshoe Lounge Playboys will be performing noon-2 p.m.
ALL ALPACAS: These Peruvian invasives are everywhere all of the sudden. Find out what the rage is all about 10 a.m.-4 p.m. Saturday-Sunday, Sept. 26-27, at Gunhouse Hill Alpaca Farm, 5012 Gunhouse Hill Road, South Kortright.
VINTAGE BALL: The Hartford Senators Vintage Base Ball Club will be in the village Saturday-Sunday, Sept. 26-27. Check out their game at 1:30 p.m. Sunday behind The Fenimore Art Museum. Check www.baseballhall.org for schedule.
ANTIQUE ENGINES: Try the Antique Engine Jamboree and Miller’s Harvest Festival, also Friday and Saturday, 10 a.m.-5 p.m., at Hanford Mills Museum, East Meridith.
FOOD SAMPLING: Here’s a chance to sample SchoolHouse Kitchen’s award-winning mustard, chutney and salad dressings,Labels: 9-25-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Garlic, By Golly: True Confessions About Love Affairs With Those Home-Grown Beauties
|
|
By LAURA COX
It’s a member of the onion family. It can be roasted, sautéed or left raw. The part you eat is the same part you plant. It’s a staple at nearly every type of restaurant. Garlic. My first experience with garlic, beyond buying the white papery bulbs at the grocery store, took place one fall a few years ago at an organic farm in northeastern Iowa. Perry-O and David Sliwa opened their Sliwa Meadow Farm for a handful of volunteers from the local college to come and help them plant garlic. After a lesson about the flavorful bulb, we set out to prepare the next year’s harvest. We broke apart the bulbs that had been harvested and put aside for seed just a few months before and placed them in buckets, leaving their skins intact. There were four varieties that we made sure to keep separated from each other because apart from the elephant garlic – whose cloves were much larger – we could not visibly tell the varieties apart. With buckets in hand, we took to the fields. After carefully marking the rows with the variety name, we pushed the cloves into the prepared soil with the tip end pointed up, about 2 inches deep, about a foot apart. We worked for about an hour in this way before stopping for a homemade lunch: fresh egg, basil and tomato sandwiches with homemade roasted garlic hummus. I was head over heels hooked on garlic. Something about the physical act of planting food fixes a connection you cannot get by picking it up at the grocery. And the flavor of the fresh farm-grown garlic completely overshadowed that of anything I had bought in the store before. Then to move to New York and learn of the many local garlic festivals with many new varieties of garlic I had never tried – heaven. Love of garlic is not unusual or unique. Richfield Springs garlic farmers Helen and Giocomo Guardi fell in love with it and made it a major part of their lives after receiving some seed and instructions from some friends at the farmers’ market 25 years ago. The seed was for a variety called “Music,” a variety they still grow to this day. “It’s a beautiful garlic. It grows large bulbs with 4-6 cloves, nice big ones, and it’s got a good bite and good flavor,” said Helen, whose “Music” is a favorite among local garlic festival attendees. It wasn’t too long before the Guardis started growing for more than just their family. Today they grow 4,000 bulbs. At one point they grew 16 varieties, but have pared back to their favorite and best-performing six or seven, including Helen’s personal favorites, German White and German Red. There are more than 400 kinds of garlic throughout the world, she said. Garlic helps drive the kitchens in many a local restaurant, and it takes a prominent, or sometimes subtle, place in a wide variety of recipes. “We use garlic for everything; there are only a few dishes we don’t use it in,” said Stella Luna Ristorante owner and chef Vincenzo Avanzato. “If I am making a sauce, it has garlic in it. If I run clams with spinach, mushrooms, and Peperoncini, I put garlic in it. “ Avanzato has the garlic chopped or sliced daily so it doesn’t lose its flavor. He has also used locally grown garlic and finds it is so much better than the kind bought from the store and shipped from China, which he described as “just blah.” “I am trying to get in the mode of using local foods. I grow my own basil, parsley, oregano and sage at home, and I am interested in growing garlic also,” said Avanzato. Among the recipes Avanzato makes at his Oneonta Italian restaurant, his shrimp scampi and “quick sauce” feature garlic best. Portabello’s in Fly Creek uses home-grown garlic in many dishes. “At Portabello’s much of the produce, including garlic, is grown, organically, on the family farm,” said restaurateur Debbie Kantor whose husband, Alen, son Adam and grandson Logan tend to the farm when not working elsewhere. Logan’s dad Joshua, the Kantor’s other son, is the chef. At the beginning of any Portabello’s dining experience, homemade zeppoles, dusted in Parmesan cheese, are brought to the table. They are accompanied by olive oil infused with fresh garlic, garnished with fresh basil for dipping. “Whether it’s in our garlic stuffed olives in the 9-ounce martinis, the homemade marinara, or the homemade Caesar dressing, our uses of garlic are never ending,” said Kantor. Garlic is in no way limited to Italian restaurants. Dave Neil, chef at the Yum Yum Shack in Index, says he uses it in 80 percent of the things he does. “I eat garlic in everything, there is not too much I don’t use it in,” said Neil, “It is really good when roasted in oven.”Labels: 9-25-09, Garlic Festival, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
‘An American Opera’
|
|
SAM GOODYEAR ART BEAT
‘The Greatest Pet Rescue Ever!” is the subtitle of the “opera” in question in the title of this column, which is also the main title of a documentary film about the animals, thousands of them, stranded in New Orleans by Hurricane Katrina. First of all, if you decide to see this movie, buy at least one packet of Kleenex. Tears are guaranteed, most of them at the reaction you will have at seeing the selflessness and unquestioning altruism of thousands of citizens flocking to the devastated city to rescue dogs, cats, birds, horses, animals of all kinds who were victims not so much of the storm itself as of edicts from officialdom. Most of the narrative and footage are upbeat, and you will be astounded by the sheer numbers of creatures (tens of thousands) as well as by the initial chaos and overwhelming challenges miraculously overcome by men and women from all walks of life from all over the United States. There is the dark side, however, so be prepared for that as well.The inhumanity that characterized part of the saga will also cause you to take out another tissue. (Perhaps you better bring two packets.) There is also the seemingly heartless enslavement to chain of command among some of the official institutions involved. Writer, director, producer and narrator Tom McPhee tells a compelling tale that is accompanied by a lively, hip soundtrack. The film ends with shots of Barkus, a pet parade in New Orleans celebrating the joys of our connection with the Animal Kingdom. Area SPCAs are joining together for a special screening of this important film Monday, Sept. 28, at Foothills Performing Arts Center in Oneonta. Doors open at 7 p.m. for a forum discussion. The film will be shown at 8. Whether or not there is a special animal in your life, you will be glad to have experienced the triumphant drama of this specific dimension of the catastrophe that continues to affect thousands of live to this day.Labels: 9-25-09, Art Beat, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Best Bets
|
Wednesday, September 16, 2009
|
Discovery To Explore Sharon Fest The Discovery Channel will be in Sharon Springs Saturday, Sept. 19, exploring the village’s first-ever Harvest Festival and “America’s Oldest Largest Garden Party” at the Beekman 1802 Mansion. Wine pairings with heirloom vegetables, plus local craftspeople, will be among the offerings 9 a.m.-4 p.m. along Main Street, plus tours and activities at the mansion. At 7 p.m., a five-course harvest dinner is offered at the American Hotel.
APPLE TIME: The annual Applefest is 10 a.m.-5 p.m. Saturday, Sept. 19, and noon-5 p.m. Sunday at the Fly Creek Cider Mill Orchard, hosted by the Cooperstown Rotary Club. Antique tractors, cider and apple specialties, plus games for kids.
BANDS GALORE: The Wine Cellar and Stamp Collectors are among the bands playing 8 p.m.-midnight at the Oneonta Theater, to benefit the cinema and Oneonta Teen Center.
GARLIC TIME: Voting for your favorite garlic dish will be among the activities at the Susquehanna Valley Garlic Festival, 10 a.m.-5 p.m. Saturday at Wood Bull Antiques, Route 28, Milford.
REENACTMENT: Relive the 1778 Andrustown Massacre, when seven settler families were attacked by Indians, Saturday-Sunday, Sept. 19-20, at Gelston Castle Estate, north of Richfield Springs. Battle demonstrations, live camps, vendors.Labels: 9-18-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
A Bit Of Sonic Terror
|
|
ROBERT MOYNIHAN REVIEW
Carleton Clay arranged this concert, his second featuring the sisters Parnas: Madalyn (violin) and Cicely (cello). Both, still in their teens, are mature and striking artists. Two years ago, they ignited musical fireworks on the Fourth of July at the Windfall Dutch Barn, Salt Springville. Sept. 8, at SUNY Oneonta, they traversed the halls of modernism from Honegger to Martinu. Clay has worked for more than three decades to bring greater appreciation of fine music to Otsego County, founding a conservatory and bringing musicians like the excellent conductor Charles Schneider to the area. Clay’s range of appreciation for the culture of composition and performance embraces the “classics,” the magnificent repository of European music, to what is called “ethno-musicology,” everything outside the limits of Bach to Bartok. These levels of cultural translation were much in evidence the second Tuesday in September – for the compositions from Honegger to Martinu covered much of the territories of modernism. If one has not listened to modern serious music, there is one technique that might be successful, like Stravinsky and Bartok, until the “language” becomes familiar. The chief techniques of modernism, displayed in this concert, are the rapid changes of key and time values, the breaking of melodic lines into fragments, and the elevation of discontinuity into expression. Once the ear adjusts, however, there are new plateaus of appreciation in these contemporary forms, related, perhaps, to reading good literature in a foreign language. The two most arresting works in this concert, and the most virtuosic, were Arthur Honegger’s Sonatina and Martinu’s Duo. The language of the first is not the French expression of Ravel or Poulenc – with their surface polish and relative accessibility. Honegger’s work is filled with surprises of broken phrases, unexpected harmonics, and serious utterance relieved by quick turns of humor. It wanders over key and tempo changes like an expert mountaineer climbing the high ridges of gravity’s pull – leaping from one secure footing to another. The Martinu is one of the finest compositions of that composer. His work can be prone to the yawns of repetition – such as his tedious piano concertos. This work, however, absorbed the full flavors of the Eastern European folk idioms – with a stunning cadenza for the cello mightily dispatched by 17-year-old Cicely. The influence of Zoltan Kodaly’s Sonata for Solo Cello was neatly tucked into this work, a tribute to the musical language of a slightly older master. If any listener cares enough to enter another territory filled with surprise and, at times, just a bit of sonic terror, let him travel to these modern works. The escape from repetition is found in the surprise of the new, the unexpected. Modern art removes the customary, the tried and often untrue – so that new life begins with alert experience. These two young performers are blessed with talent sent from the muses’ highest mountain. Thanks to Carleton Clay for arranging this salute to youth, virtuosity and the surprises of artistic modernism.Labels: 9-18-09, Columns, Glimmerglass, Review |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Lucrative Alpaca Farms Create Expensive Fibre To Challenge Cashmere
|
|
|
| By JIM KEVLIN
COOPERSTOWN
Alpacas – or is it alpaca, like sheep? Get this, dairymen. A Holstein can bring $1,500-2,000. An alpaca brings up to $25,000. (Low end, $10,000.) A half-gallon of milk sells for $2 at the Great American. Four ounces of alpaca wool sells for as much as $24. Upstate New York, America’s Alpaca Land? Think about it, fellas. (And dairyladies.) You don’t have to milk your alpaca – plural, it can be either alpaca or alpacas – twice a day. If you want to go to The Cape, or skiing in Lake Placid, or vacationing in Key West, someone like Lindsay and Mike Butkiewicus of Wild Thyme – pronounced “time,” of course – Farm, will board your 150 Holsteins. Sorry – Friesian, er, Freudian slip – we mean board your dozen alpaca. Lindsay and Mike were among the dozen alpaca farmers, members of the Southern Tier Alpaca Association, who had displays at The Farmers’ Museum’s Harvest Festival, Saturday-Sunday, Sept. 15-16. This is farming, a la Fifth Avenue. This is merchandising, a la Donna Karan. Another exhibit was HaSu Ranch Alpacas, East Meredith. Proprietors Susan Muther and Hazen Reed had marketing and graphic-design careers in New York City. He’d jet out to The Coast; she, to Europe. Enough already, the couple – husband and wife – decided 10 years ago. They bought property a few miles from Oneonta. They needed “something to support ourselves,” and saw promise in alpaca. And, after 9/11, they decided to move up here full time. If they weren’t busy enough trying to make this work, twin boys Risden and Tabor arrived three years ago; the boys, boy-like, had created their own castle under a table in the HaSu’s Harvest Fest booth. The alpaca is native to the Andes’ high countries, Bolivia, Chile and Peru, which began exporting the animal in the mid-1980s, to the U.S., but also to Australia and Europe. Sheered once a year, the animals produce 5-10 pounds of a very soft “fibre,” said Susan. A top producer can yield up to 12 pounds of “blanket fleece.” Since the fibre is hollow, it is also very warm. Lacking “guard hair” – the short hairs that make wool itchy – it is very comfortable. And since the sheered fibre is 6 inches long, compared to 2 inches for cashmere, it produces a smoother yarn and final product. Alpaca farmers are in an ideal situation because the supply of alpaca fibre is nowhere near the demand, Susan said. That creates what’s call a breeder’s market. HaSu generate some revenue from selling the fleece, but the big source of revenue is selling the animals. In the U.S., breeders are focusing on improving the blood lines of their herds, with an eye toward creating the most desirable alpaca in the world. Continuing to apply expertise from their previous life, Susan and Hazen have been running Breedworks on the side. It’s a marketing and Web development firm for alpaca breeders. At Wild Thyme, Lindsay and Mike – both Baystaters – are in their third year of farming. They began with sheep and goats as well as alpaca. “The alpacas did the best for us,” said Lindsay. In addition to boarding and breeding, the Butkiewicuses spin and knit their own fiber.
|
Labels: 9-18-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Sequel
|
Wednesday, September 9, 2009
|
It is gratifying that some of the horses we have been backing in this column are fulfilling the promise we sensed early on. You may remember the feature on a 10-year-old dance whiz named Clark Oliver of Oneonta who was winning out-of-state competitions right and left. At the time, he was auditioning for the Radio City Christmas show. We asked what he would do if he didn’t land the job. “Audition again for something else!” came the cheerful reply. In fact, the part went to someone else, but he was as good as his word, and after a series of auditions in New York over the ensuing months, Clark is now on national tour with “101 Dalmatians.” We congratulate him and only wish the itinerary included our community. Remember reading about the Green Toad bookstore on Main Street in Oneonta? It was just before Christmas last year and I shamelessly hinted very broadly what book from their impressive array of offerings I wanted to find under the tree on Christmas morning. And there it was! The enterprise, according to the very enterprising owner Michele Pondolfino, is thriving. Now that’s news, in this age of collapsing independent bookstores and shrinking bank accounts. We salute her and her excellent and cordial team. Haven’t been there yet? Well, what are you waiting for? Earlier this year, the Cooperstown Art Association mounted an exhibition featuring the infinitely fascinating looping and swirling strips of wood by Jeremy Holmes. You may remember that we were impressed, very impressed. We were not alone, it seems, for now there is a gigantic permanent installation floating in the glass-fronted Atrium of the new Foothills Performing Arts Center building majestically gracing Market Street in Oneonta. Well done! Two summers ago, we waxed ecstatic about an afternoon of readings given at Foothills by one very witty and expressive Barbara Apoian. Her essays were alternately touching and hilarious, and always thought-provoking. She has been called back for a return engagement at Foothills at 4 p.m. Saturday, Oct. 3. Her subjects range from the London Blitz (which she herself barely survived), to France in the 1950s (where she fell irrevocably in love with the people, the language, and the culture), North African journeys, women in politics, and more. This is something definitely to look forward to now that the cultural mania of the summer has waned. You’ll thank me if you go. There will be more follow-ups in the months to come. Happy summer’s end.Labels: Art Beat, Columns, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Engineering, Sustainability Guide Nikita
|
|
By JIM KEVLIN
ONEONTA
Several times, in the mid-1980s, Nikita Grigoriev applied for a U.S. Patent on “Smart Frames,” the simple basis of his and wife Joanne’s current futon business. Rejection followed rejection. Finally his lawyer told him: Let’s take the frame to the U.S. Patent Office and show them. So Grigoriev took out the three bolts that hold the frame together, pocketed them, and put the wooden pallets under his arm. His lawyer flew down to meet him in Washington D.C., and they drove to the Patent Office in Alexandria to meet the officer assigned to his case. “I remember his face changing when he sat on it,” recalled the Richfield Springs-based entrepreneur, who was once labeled one of the “Big Three” by Futon Life magazine. Long story short, Patent #5,722,101 was soon issued. Grigoriev’s Nikita Indoor Outdoor opened a second store – the first is at Elm and Main, Oneonta – on Saratoga Springs’ Main Street on Tuesday, Sept. 8. But Nikita and Joanna Grigoriev’s entrepreneurial saga goes back to 1982, shortly before the couple married. Back home after four years in Ecuador, Mexico, Tanzania and Saudi Arabia, recently resigned from his pilot job at Emirates Airline, Nikita was trying to decide what to do next. He’d never done much woodworking, but “the idea of designing and building my own furniture really appealed to me. I had no idea how to do it.” But he got his hands on some Douglas fir, rented a chain saw, and soon had created a rustic bed. At the time, he was sharing a house in Toronto with a singing group he likens to the Canadian Partridge Family. When the members saw his bed, they all wanted one. That got him started, and he began shopping around these prototypes to furniture stores. One prospective client told him, “What we really need is something that would take a futon mattress and convert it into a bed.” The result became U.S. Patent #4,538,308, “rather elaborate contraptions with wheels and springs and storage boxes and even self-stowing headboards,” according to the company’s history. “They were made of solid maple and cherry and were beautifully finished. They sold for about $900 retail.” The G-2 – for Generation II – soon followed, a simpler, lighter frame that could be folded down into a bed. By then, Nikita and Joanne had moved to Richfield Springs and opened their first store – Simple Design – in 1987 in Oneonta. The following year, Tennesee-based Shaffield Industries approached the Grigorievs, bought the G-2 patent, took over production and marketing the beds as EZ Convertibles. Shaffield was soon sold to Winston Corp., which set up New West, a company that expanded so quickly – a contract with Wal-Mart caused it to ignore the speciality stores where most futons had been sold – that it was liquidated after three years. “It was really good, yes, I was getting some nice royalties,” said Nikita, “and that ended.” In the interim, he had kept inventing, including a two-wheel-drive bicycle that could plow through mud and sand. Royce had bought the patent, then sold it to the Chinese, who shelved it. The silver lining in New West’s end was Grigoriev could get back into the futon business and he founded NIKEA, for Nikita Engineering and Art. He had patented the “Smart Frame” about the time he sold the G-2 to Shaffield, so he was ready to go – again. Harkening back to his mechanical engineering days, he figured it out on the back of a napkin on a red-eye from The Coast. It applied the concept of the four-bar linkage to create an ergonomically correct slant when the frame is folded up; yet it flattens out completely when folded out. “The very act of converting is not wasting energy,” Joanne said the other day while demonstrating the product at Nikita’s 7 Elm St. store. “It’s the apex of years and years and years of responding to the market and honing the design,” she added. In recent years, the company has evolved into Nikita Indoor Outdoor, as the couple realized the futon frames, with water-resistant cushions, are equally adaptable to garden and pool-side. While Joanne was minding the store at one end of Otsego County that day, Nikita was manufacturing frames at the other end in a compact shop at East James and Hotel streets in Richfield Springs. The manufacturing system evokes a marriage of Rube Goldberg – this flips up, this flips down – to spare, fool-proof efficiency. Working alone or with a small staff, Nikita can turn out 50 frames a day, enough to supply 10 stores like the ones in Oneonta and Saratoga Springs. Next, probably Ithaca. Nikita Grigoriev’s latest vision is again nationwide in scope. Once the reach from the Richfield Springs hub is achieved, can he create new hubs across the country? First, perhaps, Dallas-Austin-Houston. Next, southern California. The entrepreneurial impetus knows no bounds.Labels: 9-11-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
History, Music, Russian Church Sustain Nikita
|
|
By JIM KEVLIN
RICHFIELD SPRINGS
Nikita Grigoriev’s maternal grandparents ran a livery in St. Petersburg, providing horse-drawn coaches for the court of the Romanovs. His paternal grandfather was a dancing instructor to czarist royalty, and met and married a princess. When Leninists seized control of the Russian Revolution in 1917, “of course, they would have been the first people to get shot,” said Grigoriev. “My grandparents had literally five minutes to decide if they would leave. “That was when the last train was leaving. They got on and got out of the country. That was when the “Iron Curtain” – the original Iron Curtain; Churchill coined the later one – “fell.” Listening to Nikita while sitting in his leafy hidden garden in Richfield Springs – the flowers were fading with the season;over there’s a tree that grew from a seedling sent by a friend in San Francisco; a koi pond is planned over there – you could have been in a Turgenev novel. Actually, this is a story about futons – Nikita Indoor Outdoor, its manufacturing plant here, its store in Oneonta, and a second store that opened Tuesday, Sept. 8 on Main Street, Saratoga Springs. But it is also a story about fortitude, about intellectual discovery, about independence, both forced and embraced, about creativity and inventiveness, about entrepreneurship and a related virtue, resilience. Grigoriev’s father, Wsewolod (Lloyd) and his future mother, Nina, were just children when their families fled and settled in Prague, where Lloyd trained as an engineer. Then came World War II and, with the Red Army about to overwhelm Czechoslovakia, the engineer, now in his early 30s, and his new wife escaped to Chile, which had opened its doors to professionals seeking to flee Europe. Arriving in Santiago, however, they discovered the Chilean government had made little provision for the influx, and the Grigorievs found themselves confined to an internment camp in a soccer stadium with hundreds of refugees like themselves. One night, Lloyd jumped the wall and, with part of his little remaining money, bought a set of large shears for cutting lawns. He began making a living by going from property to property in Santiago’s mansion district, peddling his services. He eventually freed his wife from the stadium, and by 1960 had risen to director of the country’s geodesic and cartography service, in effect Chile’s chief mapmaker. By then, the couple’s two sons had been born in Chile. Again, the hound of Communism pursued them. Allende narrowly missed being elected Chilean president in 1960 – he would be elected two years later, and then assassinated – but the Grigorievs weren’t about to wait. On Nikita’s 10th birthday – no one remembered to celebrate – the family was on a flight to Toronto. Six years later in Toronto, his mother died, when Nikita was 16. When he was 19, his father – he was now a draftsman and soil engineer for the Province of Ontario – died as well, leaving Nikita and a younger brother. Nikita entered the University of Toronto on a physics scholarship; by the time he was done, he had degrees in mechanical engineering and aviation engineering, plus … “When I saw Billy Jack” – that Tom Laughlin cult classic from 1971 that introduced martial arts to the silver screen – “I said, ‘I want to be just like that.’” By the time he was done, he had a black belt in karate. “I was always playing guitar; I love guitar.” He’d also joined an ethnic dance troupe, doing those jumps and kicks associated with the Russian genre and, through a girlfriend in that company – she now runs a prestigious ballet school in Basel – met one of Canada’s foremost young flutists, Joanne Geerling. “After university,” said Nikita, “I didn’t know what do to. But I wanted a job in aviation.” He went out to the Toronto airport and began knocking on doors. Soon, he’d been hired as a technical rep and engineer at de Havilland Canada (the aircraft manufacturer sold to Boeing in the 1980s), which also trained him to fly. Assigned to Ecuador after training, he opened an envelope Joanne had given him. Inside was a duet she had adapted for flute and guitar. We’ll play it together when you get back, she wrote. “…and the rest,” he said, “is history, as they say.” But not yet. After Ecuador – he sought out maestro Emilio Lara to hone his guitar-playing skills – he spent a year in Mexico and Tanzania with de Havilland, then joined Emirates Airlines, based in Saudi Arabia. “Arabia is not an easy place to live,” he remembers – no car, no beer, no grocery nearby. He survived the year on chocolate, cigarettes and tea, and frequent calls to Joanne back in Toronto. At year’s end, he received a month’s vacation, and headed back to Canada. Joanne, worried about Nikita’s health, put him on a healthy diet of – as he recalls it – alfalfa and Brussel sprouts. “It practically killed me,” he said. “My whole body was in a complete spasm.” Finally, he called a friend from university who was now a physician, who recognized the symptoms of withdrawal. “Make him a REAL strong cup of tea,” he said. Nikita perked right up. Even today, though, he can’t drink anything with caffeine in it. Their courtship renewed, the pilot resigned from Emirates, and Nikita and Joanne – she has been an flute instructor at Hartwick College for the past 12 years – married in 1984. The husband considered himself Russian Orthodox, but questioned by Joanne, realized he really didn’t know much about it. At this point, he was in medical school at McMaster University in Hamilton, Ont., but soon became immersed in the literature of his father’s faith. By this point, you’re asking yourself, how did this guy get to Richfield Springs, and here it is: in 1984, he began his studies at Holy Trinity Monastery in Jordanville, a SUNY accredited theological school, where he received a degree and then taught apologetics, the study of the justification of his faith. He and Joanne moved to an apartment near the monastery. But soon, Nikita Grigoriev concluded he needed to make a living, and the businessman emerged.Labels: 9-11-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Best Bets
|
|
Harvest Festival At Cooperstown Features Alpacas COOPERSTOWN
Cuddly alpacas will be featured at The Farmers’ Museum’s 31st annual Harvest Festival, 10 a.m.-5 p.m. Saturday-Sunday, Sept. 12-13. Owners and breeders with the Southern Tier Alpaca Association will display their animals, which will go through an obstacle course, plus spinning and fibre-arts exhibits. In addition to alpacas, visitors will find what they’ve enjoyed in year’s past: a wide array of performers, exhibitors, foods, artisans and animals in the museum’s 19th-century setting.
YARD-SALE PLUS: Oneonta’s Grand & Glorious Garage Sale – it lives up to its name – is 9 a.m.-4 p.m. Saturday, Sept. 12, on the Main Street.
MAYOR’S CUP: A full weekend of collegiate soccer starts at 1 p.m. Saturday, Sept. 12, at SUNY Oneonta, Hartwick College. Schedule, www.oneonta.ny.us/community/mcschedule.asp
DUCK RACES: The Great American Duck Race Show of New Mexico – the region’s first live duck races – are Friday-Saturday, Sept. 12-13, at the Fly Creek Cider MilL. Champion duck racer Robert Duck will select mill visitors to release and ducks, and give prizes for best handlers and racers.
SONGS OF LIFE: The Catskill Chamber Singers’ final summer concert, a capella “Songs of Love, Praise, and Laughter,” is 7:30 p.m. Friday, Sept. 11, at Christ Episcopal Church Chapel, Cooperstown.Labels: 9-11-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Harvest Fest Due Sept. 12-13
|
Wednesday, September 2, 2009
|
COOPERSTOWN
The 31st annual Harvest Festival at The Farmers’ Museum is 10 a.m.-5 p.m. Saturday-Sunday, Sept. 12-13, featuring the Southern Tier Alpaca Association, new this year. Dozens of alpaca – the animal has been domesticated for 1,000 years; there are no wild ones – will be on site for parades, shearing demonstrations and an obstacle course. Too small to be used as pack animals, they were bred exclusively for their long, soft fiber, used for knitting and weaving. As always, the festival will feature horse-drawn wagon rides, historic games and crafts, artisan demonstration, and traditional Upstate music by Jim Kimball and Dick Bolt. For the complete schedule, visit www.FarmersMuseum.orgLabels: 09-04-09, Farmer's Museum, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Water and Fire
|
|
It is a wonder that the Otesaga Hotel didn’t come loose from its moorings to float down the Susquehanna and subsequently go sky-rocketing into the night on Friday the 28th. The Catskill Symphony Orchestra opened its 2009-10 season with a lavish tribute to George Frideric Handel, performing about as complete a version of “The Water Music” as it is possible to find, followed by the thunderously stately “Music for the Royal Fireworks.” The former was buoyant, rhythmically engaging, and full of some fine instrumental “riffs,” particularly from the woodwinds. Handel was not making any attempt to portray water musically, but the lilt and flow of Maestro Charles Schneider’s direction made one as happy and at ease as a member of a summer boating party. There were musical fireworks aplenty in the second half of the program, the combination of brass and percussion providing rich color and blood-racing vibrations. We are grateful to Mrs. Lewis Hamilton and Mr. Bob Brose for sponsoring and overseeing this 10th annual baroque bonanza in Cooperstown. We are not a large community. We are for the most part rural and scattered among the hills and foothills. Yet we have a gem of an institution in the Catskill Symphony Orchestra. People in large urban areas (one thinks of New York, Chicago, Philadelphia, Boston with their legendary orchestras) can be forgiven, perhaps, for taking live, lofty music-making for granted. We, on the other hand, should thank our lucky stars for not only the presence of this ensemble among us, but for its excellence as well. If you were at the Handel concert, you know what I’m talking about. If you weren’t, well get on the phone (436-2670) or go on line (catskillsymphony.net) to sign up for the rest of the season. There’s a ton of excitement in the months ahead. Don’t let the chance for experiencing the real thing pass you by. – SAM GOODYEARLabels: 09-04-09, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Pioneers
|
|
SAM GOODYEAR ART BEAT
For a “perfect village” with an exceptionally high national profile, it has always surprised us that there aren’t dozens of galleries in Cooperstown devoted to art of one kind or another: folk, pop, op, “modern,” “classic,” even schlock. They line the streets in profusion in similar towns throughout America. Perhaps with the notably high quality of the Smithy-Pioneer Gallery at the hub of Cooperstown, we don’t need more (not forgetting, however, the enormously important contribution made by the Cooperstown Art Association). The Smithy-Pioneer has come under new leadership this summer. Considering the singular vitality and excitement that reigned there under the indefatigable Sydney Waller and the innovative and thoughtful Tara Sumner from the mid-1980s to the present, taking over as director would naturally present itself as a daunting task. It does not seem to have been any sort of obstacle for Ariell Ahearn, however, and on our recent visit to the last of the cycle of exhibitions this summer we were taken aback by the differences from the past coupled with the customary high quality of the works on display. We do admit to a feeling of frustration, however, as our schedule allowed for a very cursory look at the various installations. We rushed through Sarah Singh’s serene and luminous photographs of South Asia and felt like the “temporary passenger” of the title of her exhibition. We darted all too quickly from one to the next in the exalting collection of Susan Weill’s watercolors on the second floor. Her simplicity, cleanness of execution, subtle humor, affection and eloquence of white never cease to amaze. In the mini-gallery, Deborah Geurtze can be seen to be going strong, full of color and movement. On the third floor, planet Earth takes on an entirely new dimension with Jay Hart’s “Fresh Prospects,” enormous blowups of satellite photographs meticulously shot through with rich color. Talk about amazing! You will definitely be surprised by a fresh vision of our very own eleven-millennia-old Susquehanna region. At 53 Pioneer St., right next door, there are installations by two Cooper Union alumnae that fuse art and wit in such a way to please the seasoned connoisseur as well as the youngest of viewers. You will be glad to learn, as I was, removing my sense of frustration, that the current show will run through Sept. 20. Maybe I will see you on my next, more leisurely visit. A new era at the Smithy-Pioneer, full of promise.
Sam Goodyear’s column on the arts in Otsego and Delaware counties appears weekly.Labels: 09-04-09, Art Beat, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
War Front, Home Front
|
|
By JIM KEVLIN
ONEONTA There’s a thin piece of metal – a thin, light aluminum alloy – in John Stevens’ desk at Stevens Hardware on Main Street. He picks it up and fingers it, and casts his memory back more than 60 years to Nov. 16, 1944, and his first mission on the “Lady Patricia.” The Flying Fortress – Stevens was a gunner and a radioman – completed a bombing run to Munich and was returning to the 15th Air Force base in Stornara, Italy, when it was shot down and crashed in Switzerland. Stevens survived, but was captured by the Swiss and taken to the Adelboden internment camp, where his fellow internees were mostly Yugoslavs and Poles. “Those people didn’t have any place to go home to,” Stevens reflected the other day in his venerable hardware emporium – Oneonta’s oldest store in continuous operation. But Stevens did. He soon hopped a fence, WWII/From Page B-1 reconnoitered with the French resistance and eventually made his way back behind American lines. While this story has been told, it – and the stories of more than 1,000 World War II veterans from Oneonta – has never been recorded and recounted through the memorabilia the service men and women brought home. Nor, said Susan Plantz, the Greater Oneonta Historical Society trustee, has life on the homefront been similarly explicated. Even the “Honor Roll” of local veterans, erected in front of the old City Hall, was blown down by a 1950 storm and was never replaced. With World War II veterans dying at a rate of 1,000 a day – there are only 2 million left nationwide out of the 13 million who fought – Plantz felt it is now or never. It is now: An exhibit, still to be titled, will open Saturday, Oct. 10, at the Greater Oneonta Historical Society. A formal opening is planned for the following Sunday, Oct. 18. For the past few months, she and fellow organizers – Bob Brzozowski, John Carney, Joan Duckwall, Kay Bashaw and Len Pudelka – have collected “more than 100” items of memorabilia from local veterans and their families, and welcome more. Items include: • Photos and articles in LIFE magazine and the New York Times about Lt. Samuel Bertuzzi’s ordeal. His plane strafed, his right arm broken by shrapnel, he flew his plane 150 miles back to safety. • Details on the exploits of Bruce Shearer, Oneonta’s most decorated World War II veteran. • The story of David Wilber, of the local banking family. He was in the first group of draftees from Oneonta, fought the whole war, and was killed on the day of the German surrender. • Letters from Christopher Kampari, provided by former Mayor David Brenner, who is writing a book based on those documents. Bill Hughes’ Purple Heart, copies of Oneontan Ardis Hughes’ famous war bond posters and George Solovitch’s Navy uniform are among the other entries. The veterans remember. After the war, Armin Camenisch, who had been a boy in Freienbach, Switzerland, when the “Lady Patricia” crashed, contacted all the survivors. Stevens was among them, and he returned in the 1990s to visit the scenes of his harrowing wartime experience. The two men continue to correspond. In addition to the piece of the Flying Fortress, Stevens remembers what happened through photos and other memorabilia that will be show in the exhibit. The veterans remember; now the rest of us can, too.Labels: 09-04-09, Glimmerglass |
posted by The Freeman's Journal @ 12:00 AM   |
|
|
|
|
Top Guitarist Proposes Hall Of Fame To Celebrate Instrument
|
Thursday, August 13, 2009
|
By JIM KEVLIN COOPERSTOWN
Google Arlen Roth. You’ll be glad you did. Even better, check him out on YouTube. It’s all you need to know. It makes perfect sense that one of “The Top 100 Influential Guitarists of the Century,” per Vintage Guitar magazine, would want to start a Guitar Hall of Fame. And what better place than The Hall of Fame Center of The Universe, Cooperstown, N.Y.? And what better visibility than the Lemisters’ red brick block “at the light,” Main and Chestnut? Plus Wayne Alexander’s building right behind it on Main Street, also for sale, to open up what might be a bit of a cramp space into roomy, yet intimate, display rooms. The artist’s rendering shows a modish arch replacing part of the ’50s redo of the building’s facade. Inside, a Hall of Rock, Hall of Blues, Hall of Country, will introduce visitors to all aspects of an instruments that can be traced back 4,000 years to Central Asia. The idea is to make the museum interactive, with youngsters, and not-so-youngsters, actually getting a chance to play on famous performers’ famous instruments. There will be an annual induction. And concerts. And regular appearances on Main Street of Paul McCartney and the like. And perhaps summer guitar camp for kids. Roth was in Cooperstown – he was prepared to make a presentation to village trustees on Monday, Aug. 17 – within days of the death of Les Paul, who he called “The Babe Ruth of Guitars.” Asked about other Babe Ruths, he listed B.B. King, Chuck Berry, Robert Johnson and Andrés Segovia. A native New Yorker, Roth, 57, performed with Bob Dylan, John Entwistle, Paul Simon (also Simon and Garfunkel), and Phoebe Snow, among others. He taught Simon, too. His first solo album won Montreaux Critics’ Award for Best Instrumental Album of the Year in 1978. And was Ralph Macchio’s guitar instructor for the 1986 movie, “Crossroads.” A summer resident of Martha’s Vineyard – he considers South Salem in Columbia County home – he played for President Clinton there. (And daughter Lexie in recent days had been landscaping the home where the Obamas are vacationing.) He is known as “Master of the Telecaster” for a concept he and wife Deborah developed in 1979, using audio recordings – and later, videos – as a teaching tool. A single $15,000 ad in Guitar Player brought the couple $18,000 in coupons, and a new career was launched. Even back then, he and Deborah – she and their other daughter, Gillian, died in a car crash in 1998 – were talking about the possibility of a Guitar Hall of Fame. They began considering it in earnest 15 years ago. “This really seems like the next logical step in terms of doing something permanent for the guitar,” he said over coffee at Schneider’s the other morning. A Mets fan – and, more recently, a Red Sox one – he first visited Cooperstown a dozen years ago: “It was Cooperstown that did it.” The Lemisters’ building has been for sale for several years, and every time Roth drove through town it seemed more like an ideal site. Among other things, the wall on the south side would be an ideal billboard, alerting visitors as they arrive. Just as Cooperstown came to reflect “the true spirit of baseball,” Roth “wanted to do the same thing for the guitar – like a home.” The trustees referred Roth’s plan to the village Planning Board, which next meets at 5 p.m. Tuesday, Aug. 25, at 22 Main.Labels: 08-21-09, Glimmerglass |
posted by The Freeman's Journal @ 6:23 AM   |
|
|
|
|
WEEKEND’S BEST BETS
|
|
C&W Stars To Highlight DelCo Fair
WALTON
‘Little Big Town,” the C&W band coming off its first big hit, “Boondocks,” will end the Delaware County Fair on a high note. The band performs at 7 p.m. Sunday, Aug. 23, at the Walton fairgrounds. But you don’t have to wait until then to enjoy the animal shows, prize-winning exhibits, midway rides or demolition derby. Full schedule, www.delawarecountyfair.org.
WILD WHEELS: A weekend of tractor-pulling is planned in Mount Upton from 11 a.m. Saturday-Sunday, Aug. 22-23. Registration starts at 8 a.m. Sunday features antique tractors. Take Route 51 from Gilbertsville.
HISTORY BUFFS: Sunday, try the Middlefield Historical Society’s 50th anniversary, with antique cars, ice cream, exhibits 1-4 p.m. at the Old Middlefield Schoolhouse. Or in Oneonta, felting wool is the topic of the Swart-Wilcox House’s Sunday lectures, 1 p.m..
FRESH VEGGIES: Enjoy farmers’ markets while you can, Saturday in Oneonta, Cooperstown, and Richfield Springs, Sunday in Franklin. (This week is the zucchini festival at Cooperstown’s)
FUN TIMES: At 7:30 p.m., is the annual Pierstown Variety Show, featuring local live music and “sundry side-show talent.” Free; bring a dessert if you can.
WILD AND CRAZY: Ken Butler performs “Voices of Anxious Objects” at 8 p.m. Saturday at the Foothills Performing Arts Center. Enjoy “hybridized world rhythms on hyperactive hardware.”Labels: 08-21-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 6:22 AM   |
|
|
|
|
Last Chance For The Glimmerglass Experience, ’09
|
|
SAM GOODYEAR ART BEAT
Even the parking is glorious. Do I exaggerate? Not really. Like the bread in a restaurant (e.g. the truly glorious bread at Alex & Ika’s in Cooperstown), the parking at an arts venue is crucial, as it is the first thing one experiences, and if it’s good, or glorious, chances are the rest will be equally so. So, the parking at Glimmerglass is a nice foretaste of the pleasures to come: plentiful, well organized, cordially directed by younger members of the county, convenient and, for something so unromantic, nicely nestled in a pastoral setting. Crossing Route 80 (with more cordiality from younger “patrols”), one can contemplate Hugh Hardy’s sturdy and elegantly rustic temple to Orpheus, the god of music. One immediate sensation is, gee, I don’t have to dress up in uncomfortable evening clothes and choke, itch and scratch through the performance? I can be comfortable? I can be myself? I can feel at home? This is for me, not someone else’s notion of who I should be? And look at who’s here: everyone from everywhere. Patrons from Springfield, Cooperstown, Oneonta, Gilbertsville, Syracuse, Albany, Buffalo, New York, Louisiana, Texas, Illinois, California, Holland, England, France, Canada, Denmark, South Africa, India... And if you’re in the market for some names to drop (among singers, directors, composers, librettists, members of the public), consider this random mix: Jonathan Miller, Mark Delavan, Jane Glover, Peter Stormare, Paul Newman, Stewart Robertson, David Angus, Francesca Zambello, Dwayne Croft, Joyce Guyer, Mark Baker, Frederica von Stade, Henry Cooper and Katherine Cooper Cary, Simon Callow, A.R. Gurney, Terrence McNally, Nimet Habachy, Michael Torke, William Schuman, Michael McLeod – all of them eminently Googlable. One’s head spins! Before the performance, you might have chosen to take in one of the pre-opera talks, like the one given by the extraordinarily informative, down-to-earth, erudite, and amusing David Moody on Purcell’s “Dido and Aeneas.” Geared to the sensibilities of old hands and newcomers alike. Brilliant. And then the performance itself. Glimmerglass manages to mount commanding, original, ground-breaking productions with amazing consistency. The musicianship is superb, the direction lively. And if not always to everyone’s taste, certainly never boring. Perhaps one of the greatest wonders is that we don’t have to travel across the state (or the country, or the ocean) to experience the glories of Verdi, Gluck, Mozart, Handel, Copland, Puccini, Bellini, Beethoven, Britten, Monteverdi. They take life and breath here in our very own hills. Who gets up on a Sunday morning to trek through pelting rain for a late-morning infusion of notes put down on paper nearly 320 years ago (as in this year’s Purcell offering)? Those who know the exaltation to be had in the Glimmerglass experience. Don’t let the pleasures there pass you by in the coming days. Tempus fugit.
Sam Goodyear’s column on the arts in Otsego and Delaware counties appears weekly.Labels: 08-21-09, Art Beat, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 6:21 AM   |
|
|
|
|
Don’t Walk, Don’t Run...
|
Sunday, August 2, 2009
|
SAM GOODYEAR ART BEAT
Several years ago, an earnest theater student serving as stage manager for a production of Ken Ludwig’s “Lend Me a Tenor” asked what the “social, redeeming value” of the play might be, the implication being that, as far as he was concerned, there was none. None at all. It is one of the funniest plays your columnist has ever seen. Audiences gasp and screech. The nonsense is cathartic. By the time one leaves the theater one has so forgotten day-to-day concerns, however serious and important, that life all of a sudden takes on a manageable perspective, problems no longer appear insoluble so refreshed by enjoyment and pleasure is the spirit. It may not be Brecht, but it sure expands the human experience. We don’t usually cover movies in this column. So often, the ones we really want to see don’t make it to smaller cities in this country. The ones that do, have their appeal, for whatever reason, and we rarely feel the obligation to steer you to them. “Julie & Julia” is an exceptional exception and all I can say is thank goodness for Southside Cinema in Oneonta. Don’t walk, don’t run, JET PROPEL yourself to the theater, pronto. Don’t put it off. The better movies have an uncanny way of moving on faster than one would like. It’s the kind of movie you have given up hope of ever coming across again. One could, I suppose, lead a perfectly respectable and fruitful life without its “message” and there are probably tons of movies of greater “social, redeeming value,” but the pleasure at watching the excellent performances, especially that of Meryl Streep (nothing short of astounding), is hard to match anywhere. The detail, the polish, the wry and multi-leveled observations on love and personal fulfillment are staggering. The convulsions of laughter you will have are utterly redemptive. Chances are you will be moved to tears as well. Full satisfaction guaranteed. How lucky we are to have so much rain! What better excuse can there be for staying indoors? Do not miss this. Please!Labels: 08-14-09, Art Beat, Columns, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 6:26 AM   |
|
|
|
|
Tibetan Truths
|
|
Workshop Expected To Draw Adherents From Around World
By JEANNINE BOHLER PIERSTOWN
There is air of quiet meditation driving through the rolling hills of Pierstown. The light is golden as it filters through the open sky to the fields. The wind feels free as it rustles the leaves on a summer’s day. It is hard not to find a spot where the beauty simply takes your breath away. It seems the ideal setting for quieting one’s mind – the perfect setting for a meditation center and retreat that will open its doors later this month. There it is on Glimmerglen Road in the Town of Otsego: Winterglen, a house, stables, and acres of land now known as Rangjung Yeshe Gomde East Coast, a Buddhist meditation and mind training center in the Tibetan tradition. The retreat will operate under the direction of His Holiness Phakchok Rinpoche, who comes from a long line of lamas, the Tibetan word for teacher. His family can trace its lineage and connection to Buddhism and meditation back over 800 years. In modern times, his grandfather, uncle and father are all meditation teachers. Since the communist invasion of Tibet in 1959, the family has been based in Nepal, but operates meditation centers throughout the world. The site on Glimmerglen will be the second in the United States. The first is located in California. “This is a peaceful place. It is a place for the local people, for Americans, for everyone,” Rinpoche said. This will be spiritual center based on the teachings of Buddha, but the lama emphasized that his greatest desire is that the center be open to everyone interested in meditation, and that it will not be a religious sect. Winterglen was give to the Rinpoche family by Gloria Nielsen, a local woman who studied meditation with Phakchok Rinpoche’s uncle and grandfather. She spent five years in Nepal where the two first met many years ago. Nielsen left Nepal, but two years ago she and Rinpoche had a chance meeting in Mexico. It was there she offered her Glimmerglen home to the Rinpoches’ foundation, Chokqyor Lingpa. A New York-based center had long been a dream of Phakchok Rinpoche. It was a karmic encounter, he said. Phakchok Rinpoche arrived the week of Aug. 3 to a flurry of activity. Free talks about compassion and emotion, and a meditation class, were given in Cooperstown in rooms crowded with local people. The first public event at the center – a Himalayan Culture Fair – is Aug. 22-23, where offerings will include samples of the clothing, jewelry, arts and foods from the mountain range that runs through much of Asia. The first week-long meditation training and retreat will be Aug. 30-Sept. 5. It will be Phakchok Rinpoche’s first week-long training in the Northern Hemisphere, and is expected to draw participants from the United States, Canada and Europe. In addition to the more intensive retreats, Rinpoche and his team envision ongoing weekly activates like mind training (training one’s own mind is of upmost importance in Buddhist practices), meditation and yoga, offered specifically for the local community. Matthew Zalichin, Rinpoche’s new local administrator, also plans to offer Zen archery, or kyudo, a Japanese form of meditation. Strangely enough, Zalichin’s made his first trip to Cooperstown with his father when he was a child – not to seek out baseball, but to visit a small bookstore that specialized in archery. Both men emphasized the offerings of the center will be largely shaped by the local community.. Rinpoche hopes to address all aspects of a person – both physical and mental health – and plans to bring guests to teach about things like herbs and alternative health philosophies – in addition to the regular weekly offerings. As programs develop, so too will the grounds. Plans are underway for turning the horse stable into a meditation hall and for creating Asian-inspired gardens on the extensive grounds. If the initial public response is any indication, the center is a welcome addition to Cooperstown. Over 30 people attended the opening talk about compassion, filling the space at the village meeting room. The phone at the center has reportedly been “ringing off the hook.” In Pierstown, two cultures are seemingly eagerly coming together. The American flag blows briskly next to Tibetan pray flags in the small circle of land in front of the house. Buddha once said, “Three things cannot be hidden: the sun, the moon and the truth.” For those seeking them, the quiet spot on Glimmerglen Road should offer a place to look for all three.
Buddhism Embraces ‘Doctine Of Original No-Sin’
By JIM KEVLIN ONEONTA
There is no conflict between Buddhism and Christianity, at least as far at the Buddhists are concerned. In fact, Sandy Huntington has often run into priests and nuns at Buddhist retreats. “They don’t ask you to believe in anything,” said Huntington, a Hartwick College professor of religious studies and expert on Buddhism, the Indian form in particular. “They are fine if you are a practicing Christian going to church every Sunday.” Asked to put H.H. Phakchok Rinpoche’s new retreat on Glimmerglen Road, Town of Otsego, in perspective, Huntington compared and contrasted Buddhism to Christianity. Where religions in the Biblical tradition – Christianity and Islam – are theistic, worshiping a god, Buddhism has no god. Original sin is a central precept of Christianity. An inside joke of religious scholars is, “Buddhism is the doctrine of original no-sin.” “The centerpiece of Buddhist tradition is the mind,” he continued, “the understanding of the mind, the exploration of the mind. It is not a theistic religion.” For that reason, he said, it is attractive to some Westerners who are caught between scientific rational beliefs and belief in God: “In Buddhism, you’re not caught in that trap.” The primary vehicle to “explore the workings of your own mind” is meditation, and one result is to make the secluded Catskills – between Woodstock and, now, the Cooperstown area – an international center of Buddhist practice. Huntington, who has written widely on his area of speciality, began ticking off locales where you can find retreat centers: Walton, Woodstock, McDonough, Delhi, Livingston Manor. He surmised that proximity to New York City and the relatively cheap cost, until lately, of Catskills real estate were part of the draw. The Hartwick professor organized “Buddhism in the Catskills” seminars several years ago, inviting teachers from throughout the region to Thursday night gatherings to share their beliefs. One result was the Three Treasures Zen Center, where meditation is still practiced Monday evenings, hosted by the Unitarian-Universalist Church, 12 Ford Ave. Buddhism originated in India 2,500 years ago, spreaded to China in the First Century and to Tibet in the Eighth, then on to Japan, Korea and, eventually, Europe and the United States. Huntington has visited Phakchok Rinpoche’s retreat and is familiar with the Chokgyur Lingpa Foundation and the tradition it represents. But he declined to parse the fine points of dogma off the cuff. “Just because you’re familiar with Christianity,” he said, “doesn’t mean you’re going to know difference between the Amish and the Methodists.”Labels: 08-14-09, Glimmerglass |
posted by The Freeman's Journal @ 6:25 AM   |
|
|
|
|
Bravi! To Young ‘Dido’ Cast
|
Saturday, July 25, 2009
|
ROBERT MOYNIHAN OPERA REVIEW
Henry Purcell’s 1689 opera, “Dido and Aeneas,” came to wider notice in 1951 with an HMV recording starring Kirsten Flagstad. The little term “starring” distorts the work – for it is above all an ensemble piece and is best heard with voices of relatively equal ability. Flagstad couldn’t easily make the top notes which were dubbed by Elizabeth Schwartzkopf, who sings indifferently in three roles – the ultimate negative proof of collaborative recording. As a kind of potentially successful ensemble, nonetheless, Dido and Aeneas runs against the grain of 19th-century opera. It’s common for standard operatic fare to feature virtuoso singing of three or four leading roles, with the soloists in a not-so-repressed competition for high notes and accompanying exaggeration. At the death scene, usually only one or two claim the vocal prize. This phenomenon, while much loved, could be viewed as a corruption of musical expression. Performance takes on the baggage of virtuosity and overstatement – both necessary to reach the highest balconies of increasingly gravid auditoriums. Flagstad, who, with Melchior, kept the Metropolitan afloat during the 1930s, was very much the star of opera – and her version of Purcell did bring the work to wider note. Yet the recording is very much a dated curio of its era, with “serious” slow tempos and unequal singing from every soloist. The great Flagstad, however, donated her talents to this English production, requiring two pints of stout a day as her only payment. What is different about Purcell’s Dido? Well, about everything – and the ear and mind in this early score find a repose from extreme virtuosic distortion. Purcell is not a performance commonplace, though some of his songs have been beautifully recorded. Mack Harrell did an “Evening Hymn” and de los Angeles a 1960s recital beginning with Purcell. Thurston Dart also recorded Purcell’s rarely heard clavier pieces. All of these rarities are worth locating. What is so different? Simplicity was defined as “fewness of parts” over 700 years ago, and it takes the ear some time to adjust to this high form of simplicity – musical purity, rather. There is nothing quite like it in the standard caravan of classical music. The production at Glimmerglass was wanting in a few moments of ensemble, but the young cast, clad generally in blue jeans, will work out the few rough spots. The reduced orchestra played with the adjusted minority of strings and a brilliantly realized continuo – both on harpsichord and virtuoso Michael Leopold’s plucked strings of the therabo, a bovine-size “baroque guitar.” One, of course, has favorite moments in any well-realized performance – and the Jonathan Miller production seized instances of insider parody – exaggerating the hey-nonny-nonny trivia of English madrigal singing to satiric effect, even realizing a bouncing antiphonal echo in one chorus – a repeated mannerism of Renaissance song deserving a witty parody. This production was not merely in street dress but in a now standard uniform of jeans, sneakers and pullovers. The use of simple costuming is long overdue on Route 80. If Richard Burton played Hamlet in street clothes, why not their more common use in opera? If the demonic can be indicated with a couple of red hoodies in this performance, why pay somebody to hand sew horns and tails and body sheaths of red satin? To repeat the not so obvious, Dido and Aeneas is an ensemble opera demanding equal ability from every soloist. Even though there are personal favorites, the following singers are, alas, praised together. High credit is due conductor Michael Beattie for “early-music” ensemble and perfectly judged tempos. “Bravi” to Joelle Harvey, Tamara Mumford, David Adam Moore; young artists Hannah Dixon, Anthony Costanzo (!), Kathryn Guthrie, Liza Forrester, Brittany Wheeler, Rebecca Jo Loeb. Just for the record, everyone in the cast brings this opera to pulsing life – much, much better than the first standard on 1951’s LHMV number 1007.Labels: 08-07-09, Glimmerglass |
posted by The Freeman's Journal @ 6:54 AM   |
|
|
|
|
Dad Loved Demo-Derby Racing; Family Keeps His Memory Alive
|
|
By LAURA COX HARTWICK
Two weeks ago, mom was still driving the 1994 Chrysler Concord. Today, it’s a tie-dye Sponge Bob themed car with nothing inside but the driver’s seat. No windows. No floor. Just metal and hoses. Yes, the Number 105 car is ready to be demolished at 6 p.m. Sunday , Aug. 9, at the Otsego County Fair, Morris. The county fair’s demo derby has been an annual affair for the Hopkins family of Hartwick forever. It was always dad Randy who would get an old car, strip it down, paint it up and speed around the dirt ring, crashing into similar vehicles every chance he got. Wife Patricia and children Raymond and Tina would cheer him, learning the tricks of the sport from watching dad at play. Then came that fateful day in September 1997, when a tire exploded on a front-end loader in the Hartwick town garage. Randy, then 36, was fatally injured. Winter passed, then spring and, as summer neared its end and county fair season arrived, it just seemed right to continue what dad had made a family tradition. So Patty entered two cars in the Otsego fair’s 1998 demo derbies. Ray followed suit in 2004 when he was 22. Tina entered her first car in 2006. This year will be no different, the Hopkins kids, now 27 (Ray) and 25 (Tina), will again experience the same thrills their father did in pursuit of a sport they’ve come to love as their father did. Because of a heart medication she’s taking, Patricia will have to sit this one out. “You’re always nervous for the first hit, but after that one you get an adrenaline rush and you really enjoy it and have fun,” said Tina, who lets her son Donald Boecke, 5, pick her car’s theme and number: this year, SpongeBob and 105. When Tina found out her mom was ditching the Concord, she was so excited she started painting it before Patty even stopped driving it – SpongeBob, Squidward and Patrick – and hopes to win Best Paint Job for her car’s décor. Ray will be driving a 1984 Ford Escort. It’s painted orange and all his friends have signed it. On top it reads, as it does every year: “In loving memory of Randy Hopkins and Ruth Hopkins” (his grandmother), and list the dates of their deaths. Written on both Tina and Ray’s cars is, “Hang On, The Family Is Coming.” The Hopkinses have met with success to date. Randy won three first place trophies during his time, Patty has three first places – one in the powder-puff category and two in the regular six-cylinder heat – Ray has taken second place a couple times and Tina has taken fourth and fifth. They have no intentions of quitting anytime soon. “Once a year I get to smash into another car and not get a ticket for it,” said Ray. “ You can take out all your road rage for the year.” He plans to continue ‘til he’s old and grey: “I will pull my wheel chair in with me if I have to.”Labels: 08-07-09, Glimmerglass |
posted by The Freeman's Journal @ 6:51 AM   |
|
|
|
|
Chilling Tyranny
|
Thursday, July 23, 2009
|
DAVID RUBIN OPERA REVIEW
Gian Carlo Menotti’s chilling portrayal of the authoritarian state is as timely today as it was when it premiered on Broadway in 1950. “The Consul” ran for an astounding 269 performances at the Ethel Barrymore Theatre and won for him both a Pulitzer Prize for Music and the New York Drama Critics’ Circle Award for best musical play. It’s an opera that works well at Glimmerglass, where it opened on Saturday, July 25. The 900-seat house puts the audience right in the ghastly waiting room of the unseen Consul, as desperate petitioners wait, and wait, and wait some more for a precious visa that will permit them to flee the country. Set designer Andrew Lieberman and lighting director Jane Cox have created the atmosphere of the universal office steeped in bureaucracy, complete with tubular metal scaffolding, long narrow tables, and turquoise chairs that are surely hell on the lower back. Mock fluorescent lighting casts a sickly glow over the proceedings. The stage is divided by the scaffolding into four playing areas. This works well for the scenes in the Consul’s waiting room, less well for the scenes at the home of John and Magda Sorel, the sorely put-upon couple who come to grief at the hands of the state. The plot is a simple one. John Sorel is a freedom fighter (we are told), battling the state. He flees to a neighboring country. His wife Magda and infant son try to obtain visas to join him in exile. The office of the Consul is unyielding, putting Magda through an endless exercise of supplying documents and more documents. Finally, John is captured, the baby dies, Magda’s mother dies, and then Magda commits suicide. (This is the one bit of action poorly managed by director Sam Helfrich. If one didn’t know the plot, the conclusion would be unclear as Helfrich has staged it, with Magda sitting alone on stage right.) The cast was ideal. As Magda, Melissa Citro brought her Wagnerian soprano to the role and stopped the performance in the second act with her aria, “I am a woman,” when she finally snaps in the face of the unseen Consul’s inhumanity to his fellow man. Ms. Citro is already singing such Wagnerian roles as a Norn and a Valkyrie in major houses. She has a great career ahead of her. See her now. Representing the Consul is his Secretary, Leah Wool, also a singer with a bright future. She mastered saying “next” with just the right degree of boredom and derision. Every now and then she allowed her own humanity to peek through the gloom. But in the end, this was a party girl in a form-fitting dress just waiting for 5 p.m. Robert Kerr was a suitably oily and terrifying agent of the secret police. The Glimmerglass and City Opera veteran Joyce Castle was perfect as the Mother of Magda and John. Her attempts to make her dying grandson smile were heartbreaking. She is a real pro. Act two, the most entertaining of the three acts, contains a set piece for a magician, another visa-seeker stuck in bureaucratic limbo. John Easterlin somehow mastered a long and complex series of tricks that delighted the audience and his fellow petitioners. (I think it was a real white rabbit he pulled out of his top hat.) One of my companions at the performance, Roger Sharp, observed that the magician must represent the circuses that authoritarian governments sponsor to distract their citizens. It certainly explains why Menotti dropped him into the cast. Menotti was his own librettist. This is often a mistake because there is no one to edit, and this opera desperately needs editing. It is repetitious and often obvious. It’s a two-act opera pumped up to three. Back to Broadway. While authoritarian states have not changed, the Broadway audience surely has. It is inconceivable that this piece – grim and musically challenging, with nothing approaching “Some Enchanted Evening” in it – could open on Broadway today, let alone run for 269 performances. Broadway is now a place to escape the tyranny, or bungling, of the modern state, not to confront it for three hours.
David M. Rubin, a regular contributor to the CNY Café Momus blog, is the former dean of the S.I. Newhouse School of Public Communications at Syracuse University. This is reprinted with the permission of http://blog.cnycafemomus.comLabels: 07-31-09, Glimmerglass, Glimmerglass Opera |
posted by The Freeman's Journal @ 2:31 PM   |
|
|
|
|
Empire Tales
|
|
SAM GOODYEAR ART BEAT
Tom Morgan could well be called Mr. Otsego County if it weren’t for the fact that he lives in Delaware County. Details, details. A resident of Gilbertsville in his youth, he is a towering figure in the Oneonta business community, vigorously energizes the arts scene, writes a regular newspaper column, and has a long-running radio program called Moneytalk. He is also a published author. On Sunday, July 26, we had the pleasure of catching him in yet another guise, this time as the solo interlocutor in his own play, “Tales From the Empire: A Journey Back to the Old Empire Hotel,” produced at the remarkable Franklin Stage Company. The Empire Hotel was a venerable institution in Gilbertsville, owned and operated for a time by his parents in the 1960s. Tom’s play brings to life family members and some of the “characters” who frequented the hotel’s taproom, where Tom in his younger days tended bar. He has a sad story to tell, the happy ending of which is his own survival and success. The program notes state that this is not only Tom’s first play, but only his second time on stage as well. You sure could have fooled us. The ease and congeniality he displayed were remarkable and immediately engaging. He expertly depicted conversations with the various figures from the past, switching back and forth with the aid of a simple prop or two and a seamless transformation of character. The stage was set up with simple furniture marking out the taproom, the kitchen, the piano lounge, and settings outside of the hotel. The lighting was friendly and effective; music was provided by Tom himself at an old upright opening each of the two acts. The Franklin Stage Company has been going strong since 1997, presenting sturdy classics as well as original scripts. They have never charged an admission fee and have been able to operate on donations from audience members exiting the hall. They are to be congratulated for their spirit and their achievements. One major production remains in the 2009 season, “American Fairy Tales,” based on the stories of L. Frank Baum, who firmly believed that fairy tales can happen in America, a belief borne out by his tale of a Kansas girl named Dorothy and her dog Toto. The play runs Aug. 13-Sept. 6. Though you can’t purchase a ticket in advance, be sure to reserve a place by calling (607) 829-3700 or e-mailing your request at reserve@franklinstagecompany.orgLabels: 07-31-09, Art Beat, Columns, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 2:30 PM   |
|
|
|
|
WEEKEND’S BEST BETS
|
|
COME TO THE FAIR: The Otsego County Fair takes place Tuesday, Aug. 4, through Sunday, Aug. 9, in Morris. Enjoy livestock shows, food, carnival rides, exhibits and grandstand shows. See otsegocountyfair.org for a complete schedule or call 263-5289.
ARTS FESTIVAL: 10 a.m.-4 p.m. Saturday, Aug. 1, Main Street will be closed to vehicular traffic for the seventh annual City of the Hills Arts Festival. This juried show features 39 artisans, plus live music, food and activities for children. Info, 432-8595 or cityofthehills.org.
SEE THE SHOW: At 5 p.m. Friday, July 31, visit UCCCA’s Wilber Mansion for the opening of Voice! presented by The Arc Otsego, an exhibit of works by artists with developmental disabilities from all over New York. A dance follows at 7 p.m. at the Asa Allison Municipal Building at 4 Academy St. with music by Flame. Call 432-8595 or visit arcotsego.org for more information.
SOCCER INDUCTION: Jeff Agoos and Joy Fawcett will be inducted into the National Soccer Hall of Fame at 11 a.m. Sunday Aug. 2. Admission is free and the public is welcome. Info, 432-3351, soccerhalloffame.org.
SONG, DANCE: Try “New Vaudeville” at 9 p.m. every Friday in August at the Foothills Performing Arts Center.
FINAL PREMIERE: Purcell’s “Dido and Aeneas” premieres at 11:30 a.m. Sunday, Aug. 2, at Glimmerglass Opera. The season’s other three operas, “La Traviata,” “La Centenerola” and “The Consul” may also be viewed this weekend. Check glimmerglass.org
FIRST EVER: The First Annual Leatherstocking Region Card & Scrapbook Page Show & Sale is 10 a.m.-5 p.m. on Saturday, Aug. 1, in the Hartwick Community Center on County Route 11. All proceeds will benefit Chris Watson and family.Labels: 07-31-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 2:29 PM   |
|
|
|
|
It’s Not Your Father’s Performing Arts Center
|
|
By JIM KEVLIN ONEONTA
Get this. The Neo-Futurists had 30 cards hanging on a line in from of them. The audience shouted out a number, the and troupe burst into ... acting. The idea of “Too Much Light Makes The Baby Go Blind” is to perform 30 plays in 60 minutes, and the Neo-Futurists did just that during a performance in early July at the Foothills Performing Arts Center. The Neo-Futurists have been doing this kind of thing for 20 years in Chicago and New York, but never in a place like Oneonta. (They’ll be back Aug. 14 and 28.) “I enjoyed the inventiveness and the energy of the group even, if you say, wow, that’s a little wierd,” said Duncan Smith, the retired Hartwick College English professor who has done some acting himself. The staging was minimalist. The audience participated with gusto. “Everybody had a great time,” said Smith. The Neo-Futurists were among the dozen or so big-city troupes and acts that have broken their metropolitan routines to appear at Foothills this summer. And it’s just the beginning, says Jennifer McDowall, who became Foothills executive director April 6. “Cultural enrichment is why people live in urban communities,” said the one-time New York City resident. “The goal is to bring to Foothills the caliber of art enjoyed in urban communities.” With the focus on the $8 million building – if you’ve driven down Oneonta’s Market Street lately, you know it’s close to complete – what’s really revolutionary about Foothills is being missed. It’s the stuff that’s already going on inside. You may have started noticing June 13, when the Ridgemont (N.J.) Gilbert & Sullivan Opera Company came through town for an evening to performing “The Sorcerer.” You may have noticed July 10 with “Sneak A Peak,” where the Margolis Brown Performance Company mixed improvisation with physical feats. A discussion followed. Or Yo-yo Ma’s protege, pianist Joel Fan, who performed July 13; or The Colonists, puppeteers appeared July 24. Or the “American Towns” film festival each Monday night in July, where audiences travelled from “Paris, Texas,” to “Scotland, PA.” July 30 was the first “Cool Martinis, Cool Cabaret,” continuing at 8 p.m. every Thursday. $12 cover includes your first of whatever’s the featured martini. Club 24, summer workshops for children in music, dance, theater, writing, are ongoing Tuesdays through Fridays until Aug. 28. The Neo-Futurists were part of Foothills’ “New Vaudeville Series,” at 9 p.m. every Friday through August, which McDowall called “incredibly appealing” and “great entertainment.” So far, it’s included Simon Lovell’s sleight of hand and The Great Throwdini, touted as “the nation’s greatest impalement artist” – ouch. Admission: $10 plus the throw of a die. As you might surmise, the idea is to make Foothills a place where people turn naturally, almost any day of the week, for a good time, said McDowall. As Jennifer commutes daily from her New Berlin home, her mind must be spinning, judging from the story boards she’s put together for the Foothills board. They are organized by month, by location (“upstairs” and “downstairs”), and by theme (“community”). Photos of prospective acts plaster the rest of the boards. “This is where 20 years in the arts in New York City came in,” said McDowall; contacts she hasn’t thought of in years keep popping back into her consciousness. “The artists love it,” she continued. “They love the facility. They love the town.” Interviewing Duncan Smith, he wondered whether this level of activity is sustainable. Jennifer said the typical act draws 30 people, and she wants to double that. But, she continued, places like Foothills typically can only depend on performance revenue for 40 percent of their budgets. So far, the greatest corporate support has come from Northern Eagle Beverages. “We need underwriters,” said McDowall, adding, “We have a lot of proposals out there.” She’s confident the support will come in prospective underwriters “see the kind of impact we’re going to have on this community.”Labels: 07-31-09, Glimmerglass |
posted by The Freeman's Journal @ 2:28 PM   |
|
|
|
|
WEEKEND’S BEST BETS
|
Friday, July 17, 2009
|
ART OPENING: A 5-7 p.m. opening reception Friday, July 17, launches the Cooperstown Art Association’s 74th Annual National Group Juried Show at the gallery/Village Library Hall, 22 Main St. Awards presented at 6 p.m. Information, 547-9777.
FLYING PANCAKES: 7:30-11 a.m. An annual pancake tradition continues at the Cooperstown/Westville Airport, Fly-in all you can eat breakfast. Rte 166., Adults $6.50, children under 12 $4. Info, 547-9007.
LUAU ON BEACH: 7-11 p.m. Friends of Glimmerglass host a Saturday evening of tropical fun with Hawaiian meal, hula dancing and limbo contest. $25/person, Hawaiian attire, BYOB, 547-8662. Purchase tickets at friendsofglimmerglass.com
CLASSICAL FARE with international flavor at Saturday’s 8 p.m. single performance as Joel Fan (of Yo Yo Ma’s Silk Road Ensemble) and David Temple combine on piano and guitar. Foothills Performing Arts Center, Oneonta. Tickets $25. Info, 431-2080, foothillspac.org.
HE’S BACK: Don Sherwood, the Otego native and creator of “DanFlagg,” the 1960s newspaper comic strip, will be at B Sharp Gallery on Franklin Mountain, 4-8 p.m. Saturday, July 18, for autographs and the opening of an exhibit of his work.
BLACKSMITHING provides Sunday fun, 1-4 p.m., Old Middlefield Schoolhouse, County Highway 35 off State Highway 166. Don Avery of Otego, blacksmith and master certified farrier, will work on a portable forge to demonstrate his craft. Free! Info, 547-9648, 547-9515.
SIDEWALK SALE: Don’t miss the all-day bargains at Oneonta’s downtown sidewalk sale. Enjoy live music, entertainment and children’s activities and special clearance deals along Main Street. 9 a.m.-5 p.m., Main Street, Oneonta.
Labels: 07-17-09, Glimmerglass |
posted by The Freeman's Journal @ 7:46 AM   |
|
|
|
|
It’s Music To The Ears Of Hundreds Of Budding Musicians
|
|
By LAURA COX
This summer, as for the past four, the hills of SUNY Oneonta‘s campus are alive with the sounds of nearly 400 music students and the counselors, faculty, directors and visiting artists. In short, the New York Summer Music Festival. It is successor to the New York State Music Camp, founded in 1947 in Otter Creek and moved to Hartwick College 10 years later. When it began to shrink, SUNY Oneonta stepped in in 2005. This music festival takes place over the course of three two-week sessions, each with nearly 200 students, ages 9 to 28, representing 35 states and 13 nations participating in over 50 ensembles and classes. With the huge diversity of age and background, how well do students get along? Does it work to have a 10-year-old playing next to someone a decade and a half older? “It’s all about the music,” responds Keisuke Hoashi, festival co-founder and director of communications, “In music age really makes no difference, some students start at age 3; others at 22.” The festival in its present incarnation has seen 20-30 percent growth each year. This is the biggest year yet, with most students high-school age. A typical day starts with an academic class at 8:20 a.m. – students can chose between sight reading, music theory, ear training, music history, or film making (the latter taught by Hoashi, who is an actor in Los Angeles). At 9:30 a.m., all students and counselors gather in Chase gym for the All-NYSMF – they pronounce it NIZZ-miff – Choir. Rehearsals in symphony orchestra, jazz band, jazz choir, jazz combos and piano ensemble follow until lunch. At 1 p.m., technique classes. Then workshops, more rehearsals, classes and opportunities to practice. While the mission is musical growth through opportunities, more than just music is happening at the camp. Hoashi looks back at his own experience at the NYSMC – NIZZ-mick – in the early ‘80s and remembers really growing up in those three summers. “At camp, students live together in dorms, play music together and experience conflicts and romances. There is a big social aspect which is as important as the musical aspects,” said Hoashi. “All feel like they belong, there is a lot of love happening here.” One of the major highlights for students and the Oneonta public is the more than 30 free concerts and recitals put on by students, NYSMF faculty and visiting professional artists. Some of the big names this summer include bass player John Patitucci, a multi-Grammy winner who played at the end of June. Upcoming are Marty Erickson, former U.S. Navy Band principal tuba, at 8 p.m. on Tuesday, July 21, in the Hunt Union Ballroom, and Steven Reineke, the New York Pops Orchestra conductor, who will direct the NYSMF Pops Concert at 7:30 p.m. on Wednesday, Aug. 5 in the Ballroom. Student Concerts happen at the end of each two-week session, with the next series occurring on Thursday, Friday and Saturday, July 23-25. Check the NYSMF website for details: www.nysmf.org. Among the 200 students in the first session – Sunday, June 28, to Sunday, July 12 – were Brandon Linhard, 17, a piano player, Xandry Langdon, 15, a singer, and Tricia Dyer, trumpeter, all from Oneonta; Virginia Ofer, the singer from Cooperstown; Natasha Crespi, 14, a clarinetist from Laurens; Kathryn Rudolph, 22, a trumpet player from Unadilla who is assisting NYSMF Executive Director Jungeun Kim this summer. “It’s great, as a music person, to be around other people who appreciate music,” said Langdon, who’s attended the festival for three years, “and it’s a good opportunity to meet different kinds of people who like the same things.” The camp offers the opportunity to play in an orchestra, to play chamber music, to perform next to professional musicians, something most local high schools are simply too small to provide. The camp is about much more than just music, said Rudolph. Langdon, Rudolph, Crespi and Linhard all said they would definitely recommend the camp to other local musicians.
Labels: 07-17-09, Glimmerglass |
posted by The Freeman's Journal @ 7:46 AM   |
|
|
|
|
Varied Pleasures
|
|
SAM GOODYEAR ART BEAT
If not by the weather, you can tell it’s summer here by the multitude of events to choose from for an evening or afternoon’s pleasure. Of particular elegance and enjoyment is what is doing at the Cooperstown Theatre Festival just south of Glimmerglass Opera on Route 80. It is once again featuring a series of Sunday Afternoon Teas, this month and next, providing light entertainment in the Barrymore Café along with leisurely and fine munching and nibbling, not to mention the excellent coffee lovingly brewed by Madame Bella Malinova, who presides over the culinary pleasures. (There is also tea, of course, and wine for those who like to sip lightly and politely.) A literary afternoon kicked off the season on July 12, and we hope we will have occasion to hear more from the author in question. Future events will spotlight the talents of the Grigorievs, a classical guitar and flute duo in our midst via Russia, Chile and Canada (July 19); the ShamRocks, who promise to raise your spirits with Irish pub tunes like you’ve never heard before (Aug. 9), and on Aug. 16, the Catskill Poetry Theatre (now there’s an original concept). Starting time: 2 p.m. In addition to the Sunday series, Austin Sears (actor-manager of the Cooperstown Theatre Festival) and Susan Melchior (who has appeared numerous times on Otsego County stages) will perform A.R. Gurney’s epistolary favorite, “Love Letters,” at 8 p.m. July 30, 31 and Aug. 1. For tickets and information, call 547-2335. Margarita Sears, the producer of these varied events, will be happy to help you with extreme cordiality. In another vein, it’s too late now, but if you didn’t get to the Kelly Miller Circus in Richfield Springs last weekend, you missed out on some jaw-dropping excitement, plus many laughs. No, they are not Ringling Brothers, or Big Apple, or Cirque du Soleil, but they dazzle and entertain and make your palms sweat with many of their more daring acts. Hugely satisfying, and gratifyingly effective at proving that we still remain children at heart. First rate. Don’t let it pass you by the next time the circus comes to town. And please avoid the necessity for saying, “Gee, I didn’t hear about it!” Make these pages your entertainment bible!
Labels: 07-17-09, Art Beat, Columns, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 7:45 AM   |
|
|
|
|
Walker Evans’ Prints Made Even Better, Digitally
|
|
At Fenimore, Details You Never Saw Before
By JIM KEVLIN COOPERSTOWN
Photo aficionados, you haven’t see it all. When you go to “Walker Evans: Carbon and Silver,” which opens Saturday, July 18, at The Fenimore Art Museum, you’re going to see something very few people have seen before. Take the 1936 portrait of Allie Mae Burroughs of Hale County, Ala. Walker Evans, whose haunting portraits of Depression-era rural Americans are national icons, used the gelatin silver contact method to make the original Allie Mae photos. This exhibit, under the direction of John Hill, who worked with Evans at Yale and knows what the master was trying to achieve, transformed the original prints into digital files and recreated them as larger, ink-jet prints. The result is dramatic. You can see an original Allie Mae portrait on a far wall of the exhibit – ethereal, like an Andrew Wyeth painting. But in the poster-size recreation to the left of the entrance, you can see every hair on Allie Mae’s head. You can see her pores. “You’ll find detail never apparent in the original darkroom print,” said Michelle Murdock, The Fenimore’s curator of exhibits, as she screwed in a final bulb and adjusted a final spotlight the other day. A few images down from Allie Mae’s portrait, which was originally known as “Wife of Cotton Sharecropper, Hale County, Ala.,” is “Sharecropper’s Family, Hale County, Ala.” – mom, dad, grandma and three kids, including a baby in his mother’s arms. The black cloth at the mother’s feet, you discover, is actually a black cat, albeit a skinny one. You can see the sores and scars on her swollen legs. Quite exceptional. Walker Evans was an established, although not prosperous, photographer when he was hired by the U.S. Farm Security Administration in the mid-1930s to record the ravages caused by the Depression. For 18 months, he ranged West Virginia, Pennsylvania, Louisiana, Mississippi, Georgia, South Carolina, Alabama, Arkansas and Tennessee. During a leave of absence in 1936, he teamed up with poet James Agee on assignment from Fortune magazine and made the trip to Hale County. The result was published as “Let Us Now Praise Famous Men,” an American masterpiece. The images – 70-some of them – are one part of the exhibit, which also includes Walker Evans’ books, showing how the play of the photos was an integral part of the book design, for “Praise Famous Men” as the rest. The third element is Walker Evans’ equipment, including a camera with a sideways viewfinder that allowed him to photograph subway riders unawares. According to Murdock, it was Milo V. Stewart Sr., the retired NYSHA director of education and formidable photographer in his own right, who first saw a version of the exhibit in Buffalo a couple of years ago and alerted The Fenimore. The Fenimore was just coming off that successful 2007 Ansel Adams exhibit, so was interested in pursuing it. “We’re always doing photography,” Murdock said. Americans, she said, have always been interested in recording history, today, as it happens, and photography has been a perfect vehicle to do so.
Labels: 07-17-09, Glimmerglass |
posted by The Freeman's Journal @ 7:43 AM   |
|
|
|
|
WEEKEND’S BEST BETS
|
Thursday, July 16, 2009
|
An Alternative To Baseball? Try Museums
If you’re looking for a break from baseball this weekend, stop by The Fenimore Art Museum, just a half mile up Route 80 (West Lake Road.) In addition to Otsego County favorites – Gilbert Stuart’s portrait of William Cooper, for instance – take in “America’s Rome,” an exhibit of works of Hudson River School painters from the Eternal City. Also, Walker Evans’ photos are on exhibit.
PRIDE PARADE: The Richfield Springs Pride Parade steps off at 5 p.m. Saturday, July 25, a centerpiece of a two-day festival in that village’s Spring Park. Another highlight: A Richfield Springs “Idol” Talent Contest at 3 p.m. Sunday.
ANOTHER GETAWAY: Another alternative to the Cooperstown hubub: Visit Hyde Hall, a neo-classical mansion – a National Historic Landmark – up East Lake Road.
FREE MOVIE: At 8:30 p.m. Friday, July 24, visit Glimmerglass State Park for a free lake-side showing of “Bedtime Stories.” Get there early for a dip.
CHURCHYARD MUSIC: Stroll through the campus and sanctuary of Christ Episcopal Church at noon Saturday, July 25, while listening to some wonderful music.
PUPPET SHOW: The Colonists present a unique family show at 7 p.m. on Friday, July 24, at the Foothills Performing Arts Center. See the stories of an earthworm who dreams of flying, a rabbit with a penchant for pie making and the mechanics of the pollen collecting-industrial complex.
LOCAL HOP HISTORY: 1-3 p.m. Sunday July 26 visit the Swart-Wilcox House for a lecture on hops by local historian Al Bullard. See some hop tools from Al’s collection and hops growing at the Swart-Wilcox House, Oneonta.Labels: 07-24-09, Glimmerglass |
posted by The Freeman's Journal @ 3:13 PM   |
|
|
|
|
‘Top-Of-List Singing,’ ‘Unabashed Slapstick’ Opens Glimmerglass
|
|
Verdi’s Opera Classic Transcends The Centuries
ROBERT MOYNIHAN ‘LA TRAVIATA’
If you have to pawn the silver or sell a family antique to attend this production, do so – and throw in a few other baubles from the estate. If you don’t have an estate, give up cigarettes and drinking for a month – then buy a ticket for a Glimmerglass Opera performance of Verdi’s “La Traviata.” You have heard it before? Not like this production – with superb direction, top-of-the-list singing, exquisite sets, and a libretto that is plausible – about credible emotions tied to the human condition of love and denial, compassion and misunderstanding. In his middle years, Verdi obviously poured heart and soul into this work. Amazingly, until his collaborations with Arrigo Boito, the texts used for most of Verdi’s operas are stilted and highly improbable – the usual gypsy-demons, mistaken identities and lost royalty given to falling for the wrong princesses – or maybe, after two hours, the right ones. At times, even elephants parade on stages large and sturdy enough to support them – and of course, to carry the heavy singers doing the melodic lifting. Those are the absurd occasions for most of Verdi’s musical scores. The plot of Traviata, however, is plausible – even after these many years – and concerns the conflict of the “upper order” of society, its mating habits, and a young man who strays into the “lower” social level. Father interferes for the sake of the “family name.” The lovers separate, suffer remorse, and the courtesan-heroine eventually dies in her suitor’s arms. A pat melodrama, perhaps, but sketched to such effect, and with such moving economy, that the expected devices of operatic platitude are far removed. The Glimmerglass production, because of its combination of talents at all levels, made an evening at the opera much, much more than mere entertainment. It rose, rather, to a height rarely encountered in any artistic medium. What made the performance so memorable? Most productions of drama and its relatives in musical form rush through language and scenes as though timed by stopwatch. Not in this production – the director Jonathan Miller recognized the realistic dements of the plot and emphasized them with adequate space and timing. The conductor Michall Agrest also gave the score that most valuable of emotional talismans – musical rests, pauses for the narration of plot and telling emotion. Agrest knows how to shape orchestral playing so that it breathes with the soloists, with melodic lines following the expressive rise and fall of the human voice. This ability may not be unique, but is so rare in musical performance that memories of this one evening should remain – one trusts – for the lifetimes of alert listeners. As for the singing? Well, uniform excellence was a starting point – including the eight young artists in the cast. As for the principals? The three major roles are often cast with varying ability. A few years ago, I heard a performance at the Vienna Opera with the soprano singing sharp, the bass flat and the tenor compromising somewhere between two extremes. None of these problems occurred in the Cooperstown performance. The principals in the Glimmerglass production were all superlative. Malcolm MacKenzie carried the palm as the dark, interfering paternal manipulator; the tenor Ryan MacPherson was the eloquent, frustrated suitor. Rising above even these superlatives, however, was the soprano Mary Dunleavy, who possesses rarities of multiple ability: intelligence, dramatic cunning, and splendid, unerring vocal projection of the extremes of delight and despair. The score of Traviata may indeed be unfair to the other leading singers, for the doomed Violetta, though finally suffering a fatal end, carries the most telling and virtuosic of the score’s arias. Violetta, but for moments of the score, is the focus of the musical drama. Dunleavy shaped each phrase, dramatically and musically, with exquisite projection and timing. To rephrase the title of a popular holiday movie – this production is indeed a “Glimmerglass Miracle on Route 80.” Pawn the silver, forego tobacco and gin, or sell great-aunt Gerty’s antique reticule and lorgnette. But see this opera.
‘Mesmerizing Music’ Casts Spell In ‘Cinderella’
SAM GOODYEAR ‘LA CENERENTOLA’
The various tellings of Cinderella all include some form of magic or wizardry or the grotesque. Who will ever forget, if you are old enough to remember, the fairy godmother’s “Bippity Boppity Boo!” in the Walt Disney animated film? Some versions go so far as to plot murder, and there is one account that has the stepsisters cutting off portions of their feet in order to fit into the glass slipper. Charming. The magic and wizardry of Glimmerglass Opera’s production of Gioachino Rossini’s “La Cenerentola” comes initially from the pen of the composer himself. The music is mesmerizing and enthralling and casts a spell, starting with an extended overture full of dramatic tension and expectation. The curtain rises on Depression-era dilapidation in the home of Don Magnifico, whose escapes from reality include wild dreams, bathtub gin and the fatuous hope that one of his two coarse, vain and ill-mannered daughters will win the amorous attention of Prince Ramiro, on the prowl for a wife, but disguised as his valet Dandini, the latter posing as his master. The fairy godmother in this version is a Clark Kent sort of tutor to the prince, working his wiles behind the scenes to transform Angelina, known as Cenerentola (Italian for Cinderella), into a stunning beauty. This inspired production, directed by Kevin Newbury, is not Walt Disney. It is, rather, exaltingly vintage Tom and Jerry. The slapstick is unabashed, the gags obvious and gratifying, the humor altogether in-your-face and wildly successful. Eduardo Chama, an Argentine singer with enormous comic gifts, provides the right mix of ham and style as Don Magnifico. John Tessier falls compellingly under the spell of Angelina in their first encounter and in so doing reminds us that, for all the high jinks and hilarity, this is a serious story about the arduous quest for love. Quebecoise Julie Boulianne, pure innocence and modesty, emerges from the soot and shadows, literally and musically, to win the hearts of prince and spectator alike. In all cases the singing is superb. In fact, from first note to last, the musicianship is exquisite on all fronts: soloists, chorus, and orchestra, all under the precise and robust conducting of Joseph Colaneri. Rossini’s penchant for polysyllabic lightning-speed (Tom chasing Jerry and vice versa) ensemble pieces is on full display and the numbers are perfectly delivered, making the patter songs of Gilbert and Sullivan seem no more than peaceful, languorous lullabies in comparison. The bel canto effects are thrilling in both the danger they pose and the excellence of the execution here. We are never happier than when we are weeping, and we confess to at least three occasions when the only possible response to the masterpiece on the stage was tears of wonder, pleasure, and happiness. You’re in for a huge treat.Labels: 07-24-09, Glimmerglass, Glimmerglass Opera |
posted by The Freeman's Journal @ 3:12 PM   |
|
|
|
|
Come To Main Street For The Art, Stay For The Music
|
|
By LAURA COX
As Muddy Waters had it, “The blues had a baby and they named the baby rock ’n’ roll.” Reservoir Road – the band will play at the City of the Hills Art Festival, beginning at 10 a.m. Saturday, Aug. 1, on Oneonta’s Main Street – went backwards, from rock to the blues, (although you’re likely to hear “Gloria” and “Mustang Sally,” too.) “We matured back to the roots,” is how lead guitarist Bill Stoneley put it. For de facto band leader Tom Rowe – the guitar player lives on Reservoir Road in Oneonta and has a music studio there – his love for the blues came as the result of his love of early rock and roll. “When you look at the roots of rock and roll,” he said the other evening, “you find the blues. Janis Joplin and Billy Holiday were labeled Rock and Roll, but really they were singing blues; the Stones were playing Muddy Waters; the British Invasion and the Beatles electrified the Blues. “ Reservoir Road, founded in 2006, has evolved. Rowe and Stoneley, both Oneontans, are the only remaining members of the original band. They picked up harmonica player Charlie Reiman of Cooperstown, in 2007. Bassist Doug Howard, Otego, and drummer David Geasey, Oneonta, joined this past January. Several were fulltime professional musicians, but none is anymore. Howard runs a music licensing business. Rowe is a contractor. Reiman runs a home-inspection business. -----Geasey is SUNY Oneonta director of creative media services. Stoneley is a retired welder/mechanic. They rehearse twice a week above Rowe’s workshop. In the past, though, Stoneley played with The Inferiors, opening for the Isley Brothers, where he met Jimmie Hendrix before Jimmie hit it big. Howard has played bass professionally since his teen-age years with such bands as Touch and Stun Leer; he put out a solo album in 2000. Geasey has played with bands of every type – country, jazz, swing, show tunes, concert bands and orchestras, even a few square dances. Reiman and Rowe have been playing the blues on their own for years. In addition to Muddy Waters, Reservoir Road artists draw inspiration from Robert Johnson and Jimmy Rogers. There are a lot of misconceptions about the blues, the musicians said. Many believe blues tunes are just about the sad things, but that’s not so. “Some blues are slow, some are up-tempo; the songs are about life, a lot are about bad things, but a lot are about good too,” Stoneley. “Blues can bring you up out of a funk,” said Reiman. The band plays “Chicago Blues” mostly. “We play covers, but we are not a ‘cover band,’” said Rowe. “We play the music our way.” “To copy Clapton lick for lick would be a waste of time,” said Howard, “you have to make the songs your own, or it’s not genuine.” The band is working on some originals, but they are not in it to sell CDs, but because they love the music, they love the way it energizes a crowd, and they love the energy the crowd feeds back to them. “It’s fun music, there is always someone out there with their foot tapping to the music, people enjoy it and dance to it,” said Geasey. “It’s the look on people’s faces – their smiles – that let you know you’ve done your job,” said Howard. Most of Reservoir Road’s repertoire is less known than “Mustang Sally,” but sure to get the crowds dancing. They don’t take requests beyond what’s on their blues song list, not because they don’t know the songs, but because they don’t want to play them. They are not a YMCA playing band or your typical oom-pa wedding band, but they get in a grove and know how to please a crowd. “There is no ‘typical’ show, everyone is different,” said Rowe. “One night we might play on the Blues Train in Milford and have it packed with 180 people, and the next night less than 100. It really depends on the venue and the audience.” The band tries to book two shows a month, sometimes three, with at least one in Oneonta and one outside, to vary venues and audiences. They have frequented Autumn Café and The Black Oak Tavern and used to play at the Sego Café. They are excited to play the City of the Hills Arts Festival, as it will be the first daylight show – a nice change from the dark corners of clubs and bars – and a different audience, one more family oriented. They hope that the crowd – perhaps as many as 5,000 people – will come for the art, but stop for the music.Labels: 07-24-09, Glimmerglass |
posted by The Freeman's Journal @ 3:11 PM   |
|
|
|
|
WEEKEND’S BEST BETS
|
Friday, July 10, 2009
|
BRABANTS PERFORM: The Afton Fair runs through Sunday, July 12, featuring animal displays, midway, vendors, concerts and other grandstand events, including J.D. Winslow’s Brabant draught horses. Information, theaftonfair.com or 639-1525.
VINTAGE, TINY: Radio-controlled miniature replicas of military aircraft will be flying over the Gilbertsville Polo Field 9:30 a.m.-4 p.m. Friday to Sunday, July 10-12, Admission $3. Info, 293-7974.
RR ANNIVERSARY: The Cooperstown & Charlotte Valley Railroad marks its 140th anniversary with a train ride featuring period costumes and a birthday cake. Departs the Milford Depot at 1 p.m. Saturday, July 13. Adults $15, seniors $14, children 3-12 $12, under 3 free. Info and reservations, call 432-2429.
ANIMALS GALORE: Some 750 animals and 3,300 youth handlers will be at the 62nd Annual Farmers’ Museum Junior Livestock Show runs 9 a.m.-5 p.m. Sunday through Tuesday, July 14, at Iroquois Farm, Route 33, Cooperstown.
BROOK WALK: The Otsego Land Trust is sponsoring a walk along Morris Brook at 2 p.m. Sunday July 12. Then tour All Saints Chapel and Cemetery, and stay on for an optional dinner featuring locally grown ingredients at 5 p.m. at the Empire House, Gilbertsville. For reservations, call 547-2366 or e-mail connie@otsegolandtrust.org
$15,000! Shoot a hole-in-one, win $15,000 at a golf tournament to benefit Habitat for Humanity at 1 p.m. Sunday, July 12, Oneonta Country Club. Limited to 20 teams. Call 432-8950 or 433-0575.
COME TO THE CIRCUS: At 2 and 5 p.m. on Sunday, July 12 the Kelly Miller Circus will perform at Skinner & Damulis Field in Richfield Springs. Get your tickets early and get the discounted price of $10 for adults and children under 12 for $6.
Labels: 07-10-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 5:36 PM   |
|
|
|
|
Visual Jazz
|
|
SAM GOODYEAR ART BEAT
If you have a friend or family member who loves jazz and are looking for a birthday or Christmas present, or a present out of the blue (the best kind, in our humble opinion), then you are doubly in luck. You will definitely please that person with a brand-new, stupendously moving and beautiful book, “Jazz Studies,” a feast of photographs by Joann Krivin. When you riffle through it quickly before purchase, as with pistachio nuts and Krispy-Kreme doughnuts, one will not suffice: you will not be able to resist obtaining a copy for yourself. And even if you don’t know much about jazz, or think you care very little for it, you will become a convert. Joann Krivin, who lives in Oneonta, to which she and her jazz clarinetist husband retired a few years ago after careers in New York City and New Jersey, came to jazz after years of passion for classical music, particularly opera. It was her husband who opened the door and carried her across the threshold, so to speak. Her love and understanding of the medium are palpable in the scores of sumptuously black-and-white portraits of the artists captured by her modest and lyrical eye. One feels the immediacy of the moment, musically, artistically, even to the point of being able almost to pinpoint the temperature of the room, the time of day or night, the heartbeat of the performer. The intimacy is commanding yet never intrusive, and each turn of the page arrests one’s attention and inspires wonder and curiosity. We would not be so fatuous as to say one can actually hear the music, but we do confess to a hunger for it as result of viewing these stirring images. Ms. Krivin prefers black and white to color for the call to the imagination and interpretive powers of the viewer (as well as the photographer) the deceptively simpler visual palette engenders. You will appreciate the myriad hues of dark and light on display here. But it is not just photographic skill that is required for what she has achieved so eloquently.“If you don’t love jazz,” she says of the undertaking,”you better give it up.” As if having an artist of her stature among us weren’t enough, the book itself has been produced by a high-quality publishing house right here as well: the Argian Press, under the direction of founder David M. Hayes, headquartered in Oneonta. As I am so fond of saying over and over again, aren’t we lucky? And our luck looks as though it will continue: Ms. Krivin is now working on photographic portraits of old dolls. Not the classic, obviously important and “arty” china variety; rather, the used and worn dolls found in attics, yard sales and antique shops, patiently awaiting their comeback thanks to this keen and respectful observer. Be on the lookout.
Labels: 7-10-09, Art Beat, Columns, Glimmerglass, Sam Goodyear |
posted by The Freeman's Journal @ 5:35 PM   |
|
|
|
|
THE JOE STILLMAN STORY
|
|
...And How Filmmaker Was Gripped By Iraq Vet’s Courage To Tell What He Saw
By JIM KEVLIN
Jimmy Massey believed that soldiers following orders committed war crimes in Iraq. The former 12-year Marine, honorably discharged, believes that depleted uranium used in bullets, “bunker busters” and cluster bombs will kill annother 25 percent of Iraq population over the next 25 years. He says nine out of 10 returning veterans suffer from PTSD, post-traumatic stress disorder. And, a former Marine recruiter himself, he will tell you recruiters indulge in “economic conscription,” pursuing children of single mothers and others predisposed by economics or family circumstances to join the military. Joseph C. Stillman – the Oneonta filmmaker’s credits range from “Evil Dead II,” a cult classic, to “Cook and Perry: The Race for the Pole” with Rod Steiger and Richard Chamberlain – didn’t expect much when he went to hear Jimmy Massey speak at Hartwick College four years ago. Instead, what Joe Stillman heard that night has been part of his life ever since. “This story is much bigger than I thought,” Stillman said the other day in an interview in the headquarters of his La Paloma Films on Oneonta’s Chestnut Street. “This is a film about the price one man paid to tell the truth about what he saw.” Four years, 14 states and $125,000 later, “From Mills River to Babylon and Back: The Jimmy Massey Story,” is complete, and more than 2,000 people have viewed it across New York State in the past few months, including an SRO crowd at the Foothills Performing Arts Center on May 29. Another showing is planned at 7:30 p.m. Thursday, July 16, in the Cooperstown village meeting room, 22 Main St., sponsored by the Cooperstown Peace Group, which has been holding a noontime vigil every Wednesday, rain or shine, winter and summer, in front of the post office. As he moves on to other projects, Joe Stillman has gotten his 57-minute film on the right desks at HBO and is waiting to hear if the network will air it. It’s been entered in the Toronto, Sundance and Woodstock film festivals. And Jimmy Massey, grateful for the support he has received from the Oneonta community, moved to town a week ago and has enrolled as an art student this fall at Hartwick College. The man who saw the possibilities in Massey’s story, Joe Stillman, was born in Corpus Christi, Texas, in 1951, son of a civilian employee at the Naval Air Station there. Joe grew up during the Vietnam era, with Chinooks, Cobras and Hueys flying over the house en route to the air station for repairs. “There were a lot of parallels to what’s going on now,” Joe said. The one difference: No draft. He was an All-State Basketball player in high school and – most important to his future, it turns out – shot photos for his yearbook, La Paloma. After a year on a basketball scholarship at Texas A&I in Kingsville, a couple of years playing rythm guitar and bass in a rising rock band, The Red Lime, and a full-time shooting job with Bayou Photo Co., Houston, he found himself in the Brook Institute, Santa Barbara, studying motion-picture producing. “I liked telling stories,” he explained, “particularly stories that are significant and relevant, to give people a perspective on things they don’t know a lot about.” He freelanced as second cameraman on various Hollywood jobs, met Oneonta native Rachel Schrull, then moved back East to New York City, where Rachel introduced him to “this really quiet place in Upstate New York.” He’s lived in Oneonta, at least parttime, since 1979, but he spent the next 12 years back and forth to New York City, producing, directing and managing productions. “One year,” he said, “I was on location 48 weeks. I was home only four weeks.” This took a toll on his family life, and the couple went their separate ways. Their son is now 23. During this time, though, Stillman’s career advanced. Among the films he was associated with were “Lily in Love” (1984), with Christopher Plummer, Maggie Smith and Elke Sommer; “In the Spirit” (1990), with Olympia Dukakis and Peter Falk, and “The Ox” (1991), with Liv Ullman and Max Von Sydow. In the early ‘90s, he was filming “Cook and Perry” on Ellesmere Island in the Canadian Arctic. “I was tired of being on the road,” he said. “It really gets to be a drag. You long for your own bed and a home-cooked meal.” So he asked himself: If Ellesmere Island, why not Otsego County? Back in Oneonta, he sold WSKG Public Television on a local series, and five half-hour sequences of “Susquehanna Stories” were aired to critical acclaim and awards. What surprised and encouraged him most, however, was that 350 people showed up at a “call for actors” at SUNY Oneonta’s Morris Hall in 1991. Another 60 showed up at the “call for writers.” And another 40 at the “call for directors.” “It validated the concept that we had an incredible supply of talent in our county,” said Stillman, who over his career has done 15 feature films, 100 other films and 700 commercials, including Wal-Mart’s featuring Sam Walton and the “Bring It Home to the U.S.A.” theme. His local films have included “The Ricky Parisian Story,” the state trooper from Oneonta whose death in the line of duty has spurred ongoing community-service programs, and “Standing Tall: The Eugene A. Bettiol Jr. Story,” about the local executive and civic leader claimed by cancer in his ‘40s. Not a veteran himself, “The Jimmy Massey Story” has been an education for Stillman, and not just about depleted uranium and PTSD. “Jimmy Massey’s story is a call to action for all of us to engage in our Democracy,” he said. When Massey first began speaking out against the war, he was the sole Iraq veteran doing so, and found himself battered by Fox News, Bill O’Reilly and Rush Limbaugh. At one point, he was so discouraged, Jimmy called Stillman to call the whole project off. He later changed his mind. Today, Iraq Veterans Against The War – Massey is a founder – has 1,700 member, veterans and active servicemen. “His story gave me courage to speak out against the war,” one soldier told Stillman after one of the airings. Still, 4,000 American soldiers and sailors have been killed, a million Iraqis, and the war still goes on. “And,” Stillman reflected, “we’re fighting a war that didn’t have to be fought.”
Labels: 07-10-09, Glimmerglass |
posted by The Freeman's Journal @ 5:34 PM   |
|
|
|
|
WEEKEND’S BEST BETS
|
Saturday, June 20, 2009
|
Glimmerglass Park To Host Senior Picnic
The Annual Senior Picnic is near. It’s planned 10:30 a.m.-2:30 p.m. Thursday, July 16, at Glimmerglass State Park, sponsored by the county Office for the Aging and the Council of Senior Citizens. Musical entertainment, bingo and door prizes are planned in the morning. Lunch at noon includes hamburgers, potato salad and other picnic fare. The $5 tickets (for those over 60; under 60, it’s $10) must be bought in advance through the Office for the Aging. Call 432-9041 or 547-4232 by July 7.
OLD VALUABLE, BOOKS: The 15th annual Cooperstown Antiquarian Book Fair is 10 a.m.-4 p.m. Saturday, June 27, at the Clark Sports Center, featuring dozens of dealers in antique books, maps, prints and ephemera.
USED BOOKS: 10 a.m.-5 p.m. Saturday June 27, Village Library, 22 Main St., Cooperstown. Early Bird special, $10 fee to shop at 8 a.m. Free admission after 10 a.m. $2 hardcover, $1 large paperbacks, $.50 small paperbacks. Also Sunday June 28, books remain on sale through July 5.
GALLERY OPENING: 7 p.m. Friday June 26, Key Bank Building, Third Floor, Main Street, Cooperstown. Robert Schneider and Susan Goetz invite you to an opening reception of their new gallery and studios. Info, 547-1884.
GRADUATION WEEKEND: Milford Central School’s graduation is Friday evening, June 16, followed by Oneonta, Cherry Valley and Richfield Springs’ the following day. (The OHS prom was Thursday evening at Hartwick College.)
GO, PHILLIES! The National Baseball Hall of Fame is hosting Phillies Weekend Saturday-Sunday, June 27-28. The World Series Trophy will be on display in the Hall of Plaques 9 a.m.-5 p.m. both days.
HELP THE ANIMALS: – From 4 to 7 p.m. on Friday, June 26 Glimmerglass State Park. Second annual chicken barbecue to benefit the Susquehanna SPCA. Tickets $35/person, add $25 for lobster & steamed clams. Park admission included. Information and tickets, 547-8111 or jennyvt@aol.com.Labels: 06-26-09, Glimmerglass, Weekend's Best Bets |
posted by The Freeman's Journal @ 6:49 AM   |
|
| | |